This list is divided in three parts.
| Author | Title | Call No. | Comment | |
|---|---|---|---|---|
| Broderick, Mick | Nuclear movies : a critical analysis and filmography of international feature length films dealing with experimentation, aliens, terrorism, holocaust, and other disaster scenarios, 1914-1989 | PN1995.9.N9 B76 1991 | Dr. Strangelove, Letters from a Dead Man, Testament, On the Beach; on reserve at MMR | |
| Brosnan, John | Future Tense: The Cinema of Science Fiction | PN1995.9.S26 B7 1978 | On reserve at MMR | |
| Kuhn, Annette, ed. | Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema (1990) | PN1995.9.S26 A818 1990 | Leftist, feminist & Freudian analyses. Blade Runner, Alien, etc.; on reserve in MMR | |
| Kuhn, Annette, ed. | Alien Zone II: The Spaces of Science-Fiction Cinema | PN1995.9.S26 A8184 1999 | On reserve in MMR | |
| Menville, Douglas & R. Reginald | Things to Come: An Illustrated History of the Science Fiction Film | PN1995.9 S26 M43 | On reserve in MMR | |
| Miller, David & Mark Gatiss | They Came From Outer Space: Alien Encounters in the Movies | PN 1995.9 S26 M56 1996 | Breezy, lavishly illustrated survey of films on alien encounters, emphasizing British films; on reserve at MMR | |
| Nicholls, Peter | The World of Fantastic Films: An Illustrated Survey | PN1995.9.F36 N53 1984 | Covers major films from the earliest period to 1984; on reserve at MMR | |
| Parish, James Robert & Michael R. Pitts | The Great Science Fiction Pictures (1977) | PN 1995.9 S26 P37 | On reserve in MMR | |
| Parish, James Robert & Michael R. Pitts, ed. | The Great Science Fiction Pictures II (Scarecrow Press, 1990) | PN1995.9.S26 P38 1990 | On reserve in MMR | |
| Peary, Danny, ed. | Omnis Screen Flights/Screen Fantasies: The Future According to Science Fiction Cinema | PN1995.9.S26 O46 1984 | The best collection of essays on SF films, includes chapters on most movies covered in our class up to 1984. On reserve at MMR | |
| Pickard, Roy | Science Fiction in the Movies, An A-Z | PN 1995.9 S26 P5 1978 | On reserve in MMR | |
| Slusser, George E. & Eric S. Rabkin, eds.` | Shadows of the Magic Lamp: Fantasy and Science Fiction in Film. | PN1995.9.F36 S5 1985 | On reserve at MMR | |
| Sobchack, Vivian | Screening Space: The American Science Fiction Film (1987). Revised version of The Limits of Infinity. | PN1995.9S 26S57 1987 | Though now somewhat dated, still the best introduction to the subject, very influential. On reserve at MMR | |
| Telotte, J. P. | Science Fiction Film | PN 1995.9.S26 T45 2001 | Explores attitudes and ideologies reflected in films. On reserve at MMR | |
| Warren, Bill | Keep Watching the Skies: American Science Fiction Movies of the Fifties, 2 vols. | PN1995.9.S26 W37 1982 | Detailed but rather subjective accounts of hundreds of mostly awful SF films from 1950-1962. On reserve at MMR |
| Author | Title | Call No. | Comment | Read |
|---|---|---|---|---|
| Dolgenos, Peter | "The Star on C.A. Rotwang's Door: Turning Kracauer on its Head." Journal of Popular Film and Television 25.2 (Summer 1997): 68 (8). | Online through Griffin | Metropolis (Holland subscription ends 1995) | |
| Frank, Alan | The Science Fiction and Fantasy Film Handbook | PN 1995.9 S26 F73 1982 | In Holland Reference | |
| Hardy, Phil, ed. | Science Fiction: The Arum Film Encyclopedia | PN1995.9.S26S345x 1991 | Holland Reference | |
| Lee, Walt & Bill Warren | Reference Guide to Fantastic Films: Science Fiction, Fantasy, & Horror | PN1995.9.F36L4 | Holland Reference | |
| Lentz, Harris M. | Science Fiction, Horror & Fantasy Film and Television Credits, 2nd ed. 3 vols. | PN1995.9.S26 L46 2001 | Holland Reference | |
| Willis, Donald | Variety's Complete Science Fiction Reviews | PN 1995.9 S26 V37 1985 | Holland reference | |
| Willis, Donald D. | Horror and Science Fiction Films: A Checklist. | PN 1995.9 H6 W5 | Holland reference | |
| Willis, Donald D. | Horror and Science Fiction Films II | PN1995.9 H6 W53 | Holland reference |
| Author | Title | Call No. | Comment | Read |
|---|---|---|---|---|
| Matrix Revisited, The | DVD 384 | The Matrix | ||
| Abbott, Joe | They Came from Beyond the Center: Ideology and Political Textuality in the Radical Science Fiction Films of James Cameron,Literature/Film Quarterly 22:1 (1994): 21-8 | PN1995.9 S26A8184 1999 | Abyss, Terminator | |
| Aldiss, Brian | Super-Toys Last All Summer Long, online at http://www.wired.com/wired/archive/5.01/ffsupertoys_pr.html | Online | Source of A.I.: Artificial Intelligence | |
| Aldridge, Alexandra | Myths of origin and destiny in literature: Zamiatin's We, Extrapolation 19:1 (December 1977): 68-75. | PN3448.S45 E9 | We | |
| Aldridge, Alexandra | Origins of Dystopia: When the Sleeper Wakes and We, in Richard D. Erlich & Thomas P. Dunn, eds. Clockwork Worlds: Mechanizied Environments in SF | PN3433.6 .C56 1983 | We | |
| Alliez, Eric & Michel Feher, tr. David Beriss & Astrid Hulstredt | Notes on the Sophisticated city, Zone 1/2 (1986): 41-55 | HT101 .Z66 | Marxist analysis of Blade Runner | |
| Amelio, Ralph J. | Hal in the Classroom: Science Fiction Films. Dayton, OH: Pflaum, 1974 | LB1044 .H26 | ||
| Amesley, Cassandra | How to Watch Star Trek, Cultural Studies 3 (1989): 323-339. (Subscription began 1996) | ILL ordered | Star Trek | |
| Annas, Pamela | Science Fiction Film Criticism in the US, Science Fiction Studies, vol. 7 no. 3, 1980, pp. 323-9. | PN3448.S45 S34 | ||
| Anobile, Richard J., ed. | Alien. London: Futura, 1979. | ILL | ||
| Anonymous | Fritz Lang: The Genius Behind Metropolis, Futures Past no. 2:20-24 (April 1992). | ILL | Metropolis, basic intro material | |
| Anonymous | The City in Film, Design Quarterly 136 (1987). Shelved in the Architecture Library in Carpenter Hall. | NK1 E9 | Metropolis | |
| Ash, Brian, ed. | Visual Encyclopedia of Science Fiction, The (1977) | Summit | ||
| Atkins, Dorothy | Star Trek: A Philosophical Interpretation, in R. E. Myers, ed. The Intersection of Science Fiction and Philosophy. | PN3433.6 .I57 1983 | Star Trek | |
| Bachman, Holger | The Production and Contemporary Reception of Metropolis, in Michael Minden & Holger Bachman, eds.: Fritz Langs Metropolis: Cinematic Visions of Technology and Fear. (Camden House, 2000): 3-5. | PN1997.M436 F75 2000 | ||
| Baker, Rob | "Invasion of the Pinkos." Soho Weekly News Aug 18. 1977: 48. | ILL ordered | Invasion of the Body Snatchers | |
| Ballard, J. G. | Jetée, La, Re/Search 8/9 (1984): 101. Microfilm. | PN4888.U5 B41x | La Jetée | |
| Barns, Ian | Monstrous Nature or Technology? Cinematic Resolutions of the Frankenstein Problem, Science as Culture 9: (1990): 7-58 | ILL ordered | ||
| Barratt, Andrew | X Factor, in Zamyatins We, The, in Modern Language Review, 80:3 (July 1985): 659-671. | PB1 .M65 | We | |
| Barrett, Michèle & Duncan Barrett | Star Trek: The Human Frontier | PN1992.77.S73 B37 2001 | Star Trek | y |
| Barringer, Robert | Skinjobs, Humans and Racial Coding, Jump Cut 41 (1997): 13-15, 118. (Cancelled with vol. 36) | ILL | Blade Runner | |
| Bartley, M. P. | Thing, The (1982), online at http://efilmcritic.com/review.php?movie=2453&reviewer=293 | Online | The Thing | |
| Baxter, John | Science Fiction in the Cinema | PN1995.9.S26 B3 | Dated informal survey, still useful for the period before the mid-seventies. | |
| Beauchamp, Gorman | Of Mans Last Disobedience: Zamiatins We and Orwells 1984, in Comparative Literature Studies, 10;4 (December 1973): 285-301. | PN851 .C65 | We, Nineteen Eighty-Four, 1984 | |
| Beauchamp, Gorman | Zamiatins We,, in Eric S. Rabkin, et al., eds. No Place Else: Explorations in Utopian and Dystopian Fiction, pp. 56-77. | PR830.U7 N6 1983 | We | |
| Berardinelli, James | Contact, online at http://movie-reviews.colossus.net/movies/c/contact.html | Online | Contact | |
| Berardinelli, James | Mary Shelleys Frankenstein, online at http://movie-reviews.colossus.net/movies/m/mary_shellys.html | Online | Mary Shelleys Frankenstein | |
| Berenstein, Rhona | Mommie Dearest: Aliens, Rosemarys Baby and Mothering, Journal of Popular Culture 24:2 (1990): 55-74 | N1 .J6 | Aliens | |
| Berg, Charles Ramirez | Immigrants, Aliens and Extraterrestrials, CineAction! 18 (1989): 3-17 | ILL ordered | ||
| Bergstrom, Janet | Androids and Androgeny, Camera Obscura, no. 15 1986, pp. 37-64. (Library subscription began 1996.) | ILL ordered | ||
| Bergstrom, Janet, Elizabeth Lyn, Constance Penley and Lynn Spigel, eds. | Close Encounters: Film, Feminism and Science Fiction | PN1995.9.S26 C57 1991 | ||
| Bernardi, Daniel | Infinite Diversity in Infinite Combinations: Diegetic Logics and Racial Articulations in the Originial Star Trek in Film & History 24(1/2): 60-74. February/May 1994. | ILL ordered | Star Trek | |
| Bernardi, Daniel | Star Trek in the 1960s: Liberal-Humanism and the Production of Race, Science Fiction Studies, 24:2 (July 1997): 209-225. | PN3448.S45 S34 | Star Trek | |
| Bernstein, Richard | Soviet Eye Examines Atom War, New York Times January 27, 1989. | Online with registration | Letters from a Dead Man. | |
| Best, Steve | Robocop: The Recuperation of the Subject, Canadian Journal of Political and Social Theory 13:1/2 (1989): 44-55 | JA1 .C35x | Robocop | |
| Best, Steven | In the Ditritus of Hi-technology, Jump Cut, no. 34 (1989): 19-26. | PN1994 .J85x | Marxist Analysis of RoboCop | |
| Bick, Ilsa J. | Boys in Space: Star Trek, Latency, and the Neverending Story, Cinema Journal 35:2 (1996): 43-61 | PN1993 .S62 | ||
| Bick, Ilsa J. | The Look Back in E.T., Cinema Journal 31:4 (1992): 25-41. | PN1993 .S62 | Freudian analysis of E.T.: The Extraterrestrial | |
| Bignell, Jonathan | Lost Messages: The Handmaids Tale, Novel and Film, British Journal of Canadian Studies 8:1 (1993): 71-84 | ILL ordered | ||
| Biodrowski, Steve | The Fifth Element, Cinefantastique 29(1)(July 1997):59. | ILL ordered | Fifth Element | |
| Biskin, Peter | "The Mind Managers: Invasion of the Body Snatchers and the Paranoid Style in American Movies." In Seeing is Believing: How Hollywood Taught Us to Stop Worrying and Love the Movies . NY: Pantheon, 1983, pp. 137-44. | PN1995.9.P6 B57 1983 | Invasion of the Body Snatchers | |
| Biskin, Peter | The Russians Are Coming, Arent They? Them!, The Thing , and the Extremists from Beyond the Center. In Seeing is Believing: How Hollywood Taught US to Stop Worrying and Love the Movies . NY: Pantheon, 1983, pp. 123-36. | PN1995.9.P6 B57 1983 | The Thing | |
| Biskind, Peter | Blockbuster: The Last Crusade, in Seeing Through Movies ed. Mark Crispin Miller. N.Y.: Pantheon, 1990. | ILL | Star Wars | |
| Biskind, Peter | Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties | PN1995.9.P6 B57 1983 | Them!. The Thing, Invasion of the Body Snatchers, The Day the Earth Stood Still, and It Came from Outer Space | |
| Bizony, Pers | 2001: Filming the Future | PN1997.T863 B59x 1994 | 2001: A Space Odyssey | |
| Blackwelder, Rob | Metaphor Man, Spliced wire April. 14, 1999. Online at http://www.splicedonline.com/features/cronenberg.html | Online | eXistenZ | |
| Blackwell, Laura | Dangerous, but Rewarding, Journey Into the Heart of Osamu Tezukas Metropolis,The, in Strange Horizons April 22, 2002. Online at http://www.strangehorizons.com/2002/20020422/metropolis.shtml | Online | Metropolis anime version | |
| Blair, Karin | Meaning in Star Trek | Summit | ||
| Blair, Karin | Sex and Star Trek, Science Fiction Studies 10:3 (1983): 292-7. | PN3448.S45 S34 | ||
| Blair, Karin | The Garden in the Machine: The Why of Star Trek, Journal of Popular Culture 13:2 (1979): 310-20 | N1 .J6 | Star Trek | |
| Bloch, Robert | The Master and Metropolis . In Omnis Screen Flights/ Screen Fantasies: The Future According to Science Fiction Cinema , ed. Danny Peary. Garden City, NJ: Doubleday & Co., 1984. 85-90. | PN1995.9.S26 O46 1984 | Metropolis | |
| Bogstad, Janice | Fantastic Fictions at the Edge and in the Abyss, in Donald M. Hassler, ed. Patterns of the Fantastic II, pp. 81-90. | Summit | Abyss | |
| Booker, M. Keith | Dystopian Impulse in Modern Literature, The: Fiction as Social Criticism. | PN3503 .B619 1994 | We, Nineteen Eighty-Four, 1984 | |
| Boruszkowski, Lilly Ann | The Stepford Wives: Re-Created Woman, Jump Cut 32 (1987):16-19. | ILL | Stepford Wives, The | |
| Bowen, Elizabeth | Things to Come: A Critical Appreciation, in William Johnson, ed. Focus on the Science Fiction Film, 43-45. | PN1995.9.S26 J6 | Things to Come | |
| Boyd, Melba J. | But Not the Blackness of Space: The Brother From Another Planet as Icon From the Underground, in Journal of the Fantastic in the Arts 2:2 (Summer 1989), pp. 95-107. | PN56.F34 J68x | Brother From Another Planet | |
| Bracken, Mike | Thing, The, at CultureDose.net: http://www.culturedose.net/review.php?rid=10003719 |
Online | The Thing | |
| Brain, Bonnie | Saviors and Scientists: Extraterrestrials in Recent Science Fiction Films, Etc.: A Review of Genral Semantics 40:2 (1983): 218-29 | B840 .E85 | Star Wars, Star Trek II: The Wrath of Khan, The Man Who Fell to Earth, E.T., Close Encounters of the Third Kind | |
| Broderick, Mick | Nuclear Movies: A Filmography (1988); See instead the second edition: Nuclear movies : a critical analysis and filmography of international feature length films dealing with experimentation, aliens, terrorism, holocaust, and other disaster scenarios, 1914-1989 (1991) | PN1995.9.N9 B76 1991 | ||
| Brosnan, John | Movie Magic: The Story of Special Effects in the Cinema (1974) | TR858 .B78 | 20,000 Leagues Under the Sea, Dr. Strangelove, Fahrenheit 451, Frankenstein, Metropolis, Silent running, | |
| Bruno, Giuliana | Ramble City: Postmodernism and Blade Runner, October 41 (1987): 61-74. reprinted in Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema, ed. Annette Kuhn | PN1995.9.S26 A818 1990 | Blade Runner | |
| Bukatman, Scott | Postcards from the Posthuman Solar System, Science Fiction Studies, 18:3 (1991): 343-57 | PN3448.S45 S34 | ||
| Bukatman, Scott | Terminal Identity: The Virtual Subject in Postmodern Science Fiction (1993) | PS374.S35 B84 1993 | ||
| Bukatman, Scott | The Artificial Infinite: On Special Effects and the Sublime, in Lynne Cooke & peter Wolen, eds. Visual Display: Culture Beyond Appearances, pp. 255-89 | Summit | ||
| Bukatman, Scott | The Cybernetic (City) State: Terminal S[pace Becomes Phenomenal, Journal of the Fantastic in the Arts 2.2 (Summer 1989) | PN56.F34 J68x | ||
| Bukatman, Scott | The JFA Forum on SF Film Journal of the Fantastic in the Arts 2.2 (Summer 1989) | PN56.F34 J68x | ||
| Bukatman, Scott | The Ultimate Trip: Special Effects and Kaleidoscopic Perception, Iris 23 (1998): 75-97 | ILL ordered | ||
| Bukatman, Scott | Theres Always Tomorrowland: Disney and the Hypercinematic Experience, October 57 (Summer 1991): 55-78 | NX1 .O28x | Disney World as SF | |
| Bukatman, Scott | Who Programs You? The Science Fiction of the Spectacle, Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema, ed. Annette Kuhn. 196-213 | PN1995.9.S26 A818 1990 | ||
| Bukatman, Scott | Who Programs You? The Science Fiction of the Spectacle in Annette Kuhn, ed. Alien Zone | PN1995.9.S26 A818 1990 | Videodrome | |
| Bundtzen, Lynda K. | Monstrous Mothers: Medusa, Grendel and Now Alien, Film Quarterly 40:3 (1987): 11-17 | PN1993 .H457 | Alien | |
| Burr, Ty | Retropolis:Gleaming Digital Technology Sets Sky Captain Soaring to a Classic Sci-Fi World, Boston Globe September 17, 2004, p. C1 | Online access through Griffin | Sky Captain and the World of Tomorrow | |
| Byers, Thomas B. | Commodity Futures: Corporate State and Personal Style in Three Recent Science-Fiction Movies Science Fiction Studies 14:3 (1987), reprinted in in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | Alien, Blade Runner, Star Trek II: The Wrath of Khan | |
| Calhoun, John | Abyss, The, in Theatre Crafts 23:7 (August/September 1989): 45-47, 69-72. | PN2000 .T45 | Creating the set and helmets for The Abyss | |
| Carpenter, Gerry | Fantastic Planet (a.k.a. La planète sauvage), online at http://www.scifilm.org/reviews2/fantasticplanet.html | Online | Fantastic Planet | |
| Carter, Steven | Avatars of the Turtles, Journal of Popular Film and Television 18:3 (1990): 94-102 | PN1993 .J66 | 2001, 2010, The Day the Earth Stood Still, Blade Runner, Electric Dreams, Star Wars, RoboCop, The Terminator | |
| Chevrier, Yves | Blade Runner: Or, The Sociology of Anticipation, Science Fiction Studies 11:1 (1984): 50-60 | PN3448.S45 S34 | Blade Runner | |
| Chien, Joseph | Containing Horror: The Alien Trilogy and the Abject, Focus Magazine no. 14 (1994): 7-17 (Note: there are many periodicals named Focus, but Holland does not own this one.) | ILL | Alien | |
| Clark, Bruce | Mediating The Fly: Posthuman Metamorphosis in the 1950s, Configurations 10:1 (2002): 169-191. | Online through Griffin | The Fly | |
| Clark, Jill | "Scientific Gazing and the Cinematic Body Politic: The Demonized Cyborg of Metropolis." Intertexts ( 3.2 (Fall 1999): 168 (13). | ILL ordered | Metropolis | |
| Clarke, Arthur C. | Lost Worlds of 2001, The | PN1997.T86 C5 1972 | ||
| Clough, Patricia Ticineto | The Final Girl in the Fictions of Science and culture, Stanford Humanities Review 2:2/3 (1992): 57-69 | AS30 .S72 | Alien, Aliens, Metropolis | |
| Coates, Paul | Chris Marker and the Cinema as Time Machine, Science Fiction Studies 14:3 (November 1987): 307-315. | PN3448.S45 S34 | La jetée | |
| Cobbs, John L. | Alien as Abortion Parable, Literature/Film Quarterly, 18:3 (1990): 198-202 | PN1995.3 L57 | Alien | |
| Codell, Julie F. | Murphys Law, Robocops Body, and Capitalisms Work, Jump Cut, 34 (1989): 12-19 | PN1994 .J85x | Marxist analysis of RoboCop | |
| Conners, James | Zamyatins We and the Genesis of 1984, Modern Fiction Studies 21:1 (Spring 1975): 107-124. | PS379 .M55 | We, Nineteen Eighty-Four, 1984 | |
| Cormier, Raymond | The Closed Society and its Friends: Platos Republic and Lucass THX-1138, Literature/Film Quarterly 18:3 (1990): 193-8 | PN1995.3 L57 | THX-1138 | |
| Corn, Joseph, ed. | Imagining Tomorrow: History, Technology, and the American Future | T20 .I43 1986 | ||
| Cranny-Francis, Anne | Feminist Futures: A Generic Study in Annette Kuhn, ed. Alien Zone | PN1995.9.S26 A818 1990 | Born in Flames, Blade Runner | |
| Cranny-Francis, Anne | Sexuality and Sex-Role Stereotypy in Star Trek, Science Fiction Studies 12:3 (1985): 274-84 | PN3448.S45 S34 | Star Trek | |
| Creed, Barbara | Alien and the Monstrous-Feminine, in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | Alien | |
| Creed, Barbara | From Here to Modernity: Feminism and Postmodernism, Screen 28:2 (1987): 47-67 | ILL ordered | ||
| Creed, Barbara | Gynesis, Postmodernism and the Science Fiction Horror Film, in Annette Kuhn, ed. Alien Zone | PN1995.9.S26 A818 1990 | The Fly | |
| Creed, Barbara | Horror and the Monstrous-Feminine: An Imaginary Abjection, Screen 27:1 (1986): 44-70 | ILL ordered | ||
| Cronenworth, Brian | Man of Iron, American Film, 13, no. 1 (1987): 3-3-35 | PN1993 .A617 | Interview with Paul Verhoeven about RoboCop | |
| Dadoun, Roger. | Metropolis: Mother-City -- Mittler--Hitler. In Penley et al, Close Encounters: Film, Feminism, and Science Fiction. (1991), pp. 143-60. | PN1995.9.S26 C57 1991 | Metropolis | y |
| Davis-Genelli, Tom & Lyn | Alien: A Myth of Survival, Film/Psychology Review 4:2 (1980): 235-40 | PN49 .P89x | Alien | |
| Dean, Joan F. | Between 2001 and Star Wars, Journal of Popular Film and Television, 7:1 (1978): 32-41 | PN1993 .J66 | ||
| Deer, Harriet | Kubrick and the Structures of Popular Culture, Journal of Popular Film and Television 3:3 (1974): 232-244. | PN1993 .J66 | 2001: A Space Odyssey, A Clockwork Orange | |
| Del Rio, Elena | Remaking of La Jetées Time-Travel Narrative: Twelve Monkeys and the Rhetoric of Absolute Visibility, Science Fiction Studies 28:3 (November 2001): 383-398. | PN3448.S45 S34 | La jetée | |
| Dempsey, Michael | Blade Runner Film Quarterly 36:2 (1982-3): 33-8 | PN1993 .H457 | early insightful review of Blade Runner | |
| Dervin, Daniel | Primal Conditions and Conventions: The Genre of Science Fiction in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | Invasion of the Body Snatchers, Alien | |
| Dervin, Daniel | Primal Conditions and Conventions: The Genres of Comedy and Science Fiction, Film/Psychology Review 4:1 (1980): 115-47 | PN49 .P89x | ||
| Desser, David | Blade Runner: Science Fiction and Transcendence, Literature/Film Quarterly, vol. 13, no. 3 (1985): 172-79 | PN1995.3 .L57 | Blade Runner | |
| Desser, David | Race, Space and Class: The Politics of SF Film from Metropolis to Blade Runner, in Judith Kerman, ed.: Retrofitting Blade Runner: Issues in Ridley Scotts Blade Runner and Philip K. Dicks Do Androids Dream of Electric Sheep | PN1997.B283 R4 1991 | Blade Runner Metropolis | |
| Dickstein, Morris | The Aesthetics of Fright, American Film, 5, no. 10 (1980): 32-37, 56, 58-59 | PN1993 .A617 | Analysis of the appeal of 80s horror films to young viewers | |
| Dimitrakaki, Angela & Miltos Tsiantis | Terminators, Monkeys and Mass Culture: The Carnival of Time in Science Fiction Films, Time & Society, 11:2-3 (September 2002): 209-231. | ILL ordered | Twelve Monkeys, Terminator | |
| Dionne, Craig | Shatnerification of Shakespeare, The: Star Trek and the Commonplace Tradition, in Richard Burt, ed.: Shakespeare After Mass Media, pp. 173-191. | Summit | Star Trek | |
| Ditlea, Steve | Does Science Fiction Have a Future on TV? New York Times, section 2, p. 29 (January 6, 1980). On microfilm. | AN33.N4 N49x | Lathe of Heaven, The | |
| Doane, Mary Anne | Technophilia: Technology, Representation, and the Feminine, in Mary Jacobus, ed.: Body/Politics: Women and the Discourses of Science | QP81.5 .B63 1990 | ||
| Doherty, Thomas | Brazil, Cinefantastique 16:3 (July 1986): 46, 53. | ILL ordered | Brazil | |
| Doll, Susan and Greg Faller | Blade Runner and Genre: Film Noir and Science Fiction, Literature/Film Quarterly 14:2 (1986): 89-100 | PN1995.3 .L57 | Blade Runner, comparison with Frankenstein | |
| Donnelly, Jerome | Humanizing Technology in The Empire Strikes Back: Theme and Values in Lucas and Tolkien, Philosophy in Context 11 (1981): 19-32 | ILL ordered | Star Wars: The Empire Strikes Back | |
| Dresser, David | Race, Space and Class: The Politics of the SF Film from Metropolis to Blade Runner. In Kerman, Retrofitting Blade Runner (1990). 110-123. | PN1997.B283 R4 1991 | Metropolis, Just Imagine, Things to Come, The Time Machine, Fahrenheit 451, Soylent Green, THX1138, Escape from New York, Blade Runner | |
| Dubeck, Leroy W., Suzanne E. Moshier, & Judith E. Boss | The Fly, in Leroy W. Dubeck, et al.: Science in Cinema, pp. 164-165. | Summit | The Fly | |
| Dumont, J. P. & J. Monod, tr. Susan Thomas | Beyond the Infinite: A Structural Analysis of 2001: A Space Odyssey, Quarterly Review of Film Studies 3:5 (1978): 297-316 | PN1993 .Q83x | 2001: A Space Odyssey | |
| Ebert, Roger | ExistenZ, in Chicago Sun-Times, April 23, 1999. Online at http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19990423/REVIEWS/904230301/1023 | Online | eXistenZ | |
| Ebert, Roger | Mary Shelleys Frankenstein, online at http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19941104/REVIEWS/411040302/1023 | Online | Mary Shelleys Frankenstein | |
| Ebert, Roger | Metropolis, Chicago Sun-Times, January 25, 2002. Available online at http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20020125/REVIEWS/201250304/1023 | Online | Metropolis (Japanese anime version) | |
| Ebert, Roger | Sky Captain and the World of Tomorrow, Chicago Sun-Times September 17, 2004. Online at http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20040917/REVIEWS/409170301/1023 | Online | Sky Captain and the World of Tomorrow | |
| Elen, Richard | The Hitchhikers Guide to the Glaxy, in Audio/Video Revolution, at http://www.audiorevolution.com/dvd/revs/hitchhikers.shtml | Online | Hitch-Hikers guide to the Galaxy | |
| Elkins, Charles, ed. | Symposium on Alien, Science Fiction Studies 7:3 (1980): 278-304 | PN3448.S45 S34 | Excellent short essays from political points of view on Alien | |
| Ellington, Jane Elizabeth & Joseph W. Critelli | Analysis of a Modern Myth: The Star Trek Series, Extrapolation 24:3 (1983): 241-50 | PN3448.S45 E9 | Star Trek, Jungian theory | |
| Ellison, Harlan | Harlan Ellisons Watching | Summit | ||
| Elrick, Ted | Elemental Images, Cinefex 70: (June 1997): 114-133. | ILL ordered | Fifth Element | |
| Emmett, Arlelle | Universal Studios Computer Graphics, Computer Graphics World (February 1986): 26-32 | T385 .C558 (Owen) | ||
| Engel, Joel | Gene Roddenberry: The Myth and the Man Behind Star Trek | PN1992.4.R55 E54 1994 | Star Trek | y |
| Entman, Robert & Francie Seymour | Close Encounters with the Third Reich, Jump Cut 18 (1978): 3-6 (Library subscription began 1979) | ILL ordered | ||
| Erickson, John | The Ghost in the Machine: Gilliam's Postmodern Response in Brazil to the Orwellian Dystopia of Nineteen Eighty-Four, Utopian Studies 4:2 (1993): 26-34.. Holland sub begins 1995. | ILL | Brazil | |
| Ferguson, Paul | After the Past: Noir Legacies in an [Un]certain Future: William Gibsons Virtual Light and Terry Gilliams Twelve Monkeys, in Crimecultuture, online at http://www.crimeculture.com/Contents/NewPaulFerguson.htm | Online | Twelve Monkeys | |
| Fisher, William | Of Living Machines and Living-Machines: Blade Runner and the Terminal Genre, New Literary History 20:1 (1988): 187-304 | PN2 .N4 | Blade Runner | |
| Fitting, Peter | Count Me Out/In: Post-Apocalyptic Visions in Recent Science Fiction Film, CineAction! 11 (1978/8): 42-52 | ILL ordered | ||
| Fitting, Peter | Futurecop: The Neutralization of Revolt in Blade Runner, Science Fiction Studies, 14:3 (1987): 340-54 | PN3448.S45 S34 | Excellent contrast between Blade Runner and the source novel: Do Androids Dream of Electric Sheep | |
| Floyd, Nigel | Infinite City, in Sight and Sound 7:6 (June 1997): 6-9. | ILL ordered | Fifth Element | |
| Franklin, H. Bruce | "Don't Look Where We're Going: Visions of the Future in Science Fiction." Science Fiction Studies 10 (1983): 70-80. | PN3448.S45 S34 | ||
| Franklin, H. Bruce | Future Imperfect, American Film 8:5 (March, 1983): 47-9, 75-6. (Article torn out of paper copy, microfilm only.) | Micro PN1993 .A617 | ||
| Franklin, H. Bruce | Visions of the Future in Science Fiction: Films from 1970 to 1982, in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | ||
| Franklin, H. Bruce | War Stars: The Superweapon and the American Imagination | UF533 .F73 1988 | ||
| Frentz, Thomas S. & Janice Hocker Rushing | Projecting the Shadow: The Cyborg Hero in American Film | Summit | Blade Runner, Terminator, Terminator 2: Judgment Day | |
| Friedman, Norman L. | The Terminator: Changes in Critical Evaluations of Cultural Productions, Journal of Popular Culture, 28:1 (1994): 73-80 | N1 .J6 | Terminator | |
| Fruth, Bryan, et al. | The Atomic Age: Facts and Films from 1945-1965, Journal of Popular Film and Television 23, no. 4 (1996): 154-160. | Online through Griffin | ||
| Fuchs, Cynthia J. | Death is Irrelevant: Cyborgs, Reproduction, and the Future of Male Hysteria, Genders 18 (1993): 113-33. Older issues not available online; Vancouver branch library has a copy. | ILL ordered | ||
| Gabbard, Krin | Aliens and the New Family Romance, Post Script: Essays in Film and the Humanities 8:1 (1988): 29-42 | ILL | ||
| Geduld, Carolyn | Filmguide to 2001: A Space Odyssey (1973) | PN1997.T86 G4 | ||
| Geduld, Harry M. | Return to Méliès: Reflections on the Science Fiction Film, in William Johnson, ed. Focus on the Science Fiction Film, pp. 1-12 | PN1995.9.S26 J6 | ||
| Geduld, Harry M. & Ronald Gottesman, eds. | Robots, Robots, Robots | Summit | ||
| Gentejohann, Volker | Narratives From the Final Frontier: A Postcolonial Reading of the Original Star Trek Series. Peter Lang, 2000 | ILL ordered | ||
| Geraghty, Lincoln | American Jeremiad, The and Star Treks Puritan Legacy, Journal of the Fantastic in the Arts (14:2 (Summer 2003): 228-245. | PN56.F34 J68x | Star Trek | |
| Gerrold, David | The World of Star Trek (1984) | PN1992.77.S73 G47 1984 | Star Trek | y |
| Gerrold, David | World of Star Wars, The | PN1992.77.S73 G47 1984 | y | |
| Gifford, Denis | Science Fiction Film (1971) | PN 1995.9 S26 C5 | ||
| Glass, Fred | The New Bad Future: Robocop and 1980s Sci-Fi Films, Science as Culture 5 (1989): 7-49 (subscription began 1998) | ILL ordered | Robocop | |
| Glass, Fred | Totally Recalling Arnold, Film Quarterly vol. 44, no. 1 (1990): 2-13 | PN1993 .H457 | On Total Recall. | |
| Goldberg, Jonathan | Recalling Totalities: The Mirrored Stages of Arnold Schwarzenegger, Diufferences: A Journal of Feminist Cultural Studies, 4:1 (1992): 172-204 (library subscription begins with vol. 8) | ILL ordered | ||
| Goodale, Gloria | This Mans Dreams are the Worlds Nightmare, Christian Science Monitor, September 6, 2002. | AN22.B6 C57x microfilm | Lathe of Heaven, The | |
| Goodall, Jane R. | Aliens, Southern Review 23:1 (1990): 73-82 | AP2 .S8555 | Aliens | |
| Goodman, Cynthia | Digital Visions: Computers and Art | N7433.8 .G66 1987 | ||
| Gordon, Andrew | Back to the Future: Oedipus as Time Traveller, Science Fiction Studies 14.3 (1987): 372-385 | PN3448.S45 S34 | Back to the Future | |
| Gordon, Andrew | Close Encounters: The Gospel According to Steven Spielberg, Literature/Film Quarterly 8, no. 3 (1980): 156-164 | PN1995.3 .L57 | Close Encounters of the Third Kind, classic critique | |
| Gordon, Andrew | Close Encounters: Unidentified Flying Object Relations, The Psychoanalytic Review 82:5 (1995): 741-57 | BF1 .P5 | Close Encounters of the Third Kind | |
| Gordon, Andrew | E.T. as Fairy Tale, Science Fiction Studies 10:3 (1983): 298-305 | PN3448.S45 S34 | E.T. | |
| Gordon, Andrew | Return of the Jedi: the End of the Myth, Film Criticism, 8:2 (1984): 45-54 | ILL ordered | Star Wars: Return of the Jedi | |
| Gordon, Andrew | Science Fiction Film Criticism: The Postmodern Always Rings Twice, Science-Fiction Studies 14, no. 3 (1987): 386-391 | PN3448.S45 S34 | Review of Sobchack: Screening Space | |
| Gordon, Andrew | Star Wars: A Myth for Our Time, Literature/Film Quarterly 6:4 (1978): 314-27 | PN1995.3 .L57 | Star Wars, sources and influences | |
| Gordon, Andrew | The Empire Strikes Back: Monsters from the Id, Science Fiction Studies 7:3 (1991): 313-18 | PN3448.S45 S34 | Star Wars: The Empire Strikes Back | |
| Gordon, Andrew | Youll Never Get Out of Bedford Falls: The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television 20:2 (1991): 2-8. (Issue missing from library collection) | ILL | ||
| Goscilo, Margaret | Deconstructing The Terminator, Film Criticism, 8.2 (198437-52): 37-52 | ILL ordered | ||
| Gottlieb, Erika | Dystopian Fiction East and West: Universe of Terror and Trial | PN56.D94 G68 2001 | We, Nineteen Eighty-Four, 1984 | |
| Grant, Barry K. | Invaders from Mars and the Science Fiction Film in the Age of Reagan, CineAction! 8 (1987): 77-83 | ILL ordered | ||
| Grant, Barry K. | Invaders from Mars and the Science Fiction Film in the Age of Reagan, CineAction! 8 (1987): 77-83 | ILL ordered | Invaders from Mars | |
| Grant, Barry K. | Looking Upwards: Reason and Visible in Science Fiction Film, in Glenwood H. Irons, ed.: Gender, Language and Myth: Essays in Popular Narrative, pp. 185-207 | PN56.P55 G46x 1992 | ||
| Gravett, Sharon L. | The Sacred and the Profane: Examining the Religious Subtext of Ridley Scotts Blade Runner, Literature/Film Quarterly 26:1 (1998): 38-43 | PN1995.3 .L57 | Blade Runner | |
| Greenberg, Harvey R. | Fembo: Aliens Intentions, Journal of Popular Film and Television 15:4 (1988):165-71 | PN1993 .J66 | Aliens | |
| Greenberg, Harvey R. | Fractures of Desire, The: Psychoanalytic Notes on Alien and the Contemporary Cruel Horror Film, The Psychoanalytic Review 70:2 (1983): 241-67 | BF1 .P5 | Alien | |
| Greenberg, Harvey R. | In Search of Spock: A Psychoanalytic Inquiry, Journal of Popular Film and Television 12:2 (1984): 52-65 | PN1993 .J66 | Star Trek | |
| Greenberg, Harvey R. | Reimagining the Gargoyle: Psychoanalytic Notes on Alien, Camera Obscura 15 (1986): 87-108 (subscription began 1990) | ILL | Alien | |
| Greenberg, Harvey Roy | Machine Dreams, Film and Philosophy, no. 4 (1997): 111-115 | ILL ordered | ||
| Greenberger, Robert | Ridley Scott, Starlog (July 1982): 61 | Summit online | ||
| Greene, Eric | Planet of the Apes as American Myth: Race and Politics in the Film and Television Series | PN1995.9.P495 G74 1996 | ||
| Greenwald, Jeff | Future Perfect: How Star Trek Conquered Planet Earth. Penguin, 1999. | ILL ordered | Star Trek | |
| Gregory, Charles T. | "The Pod Society Versus the Rugged Individualists." The Journal of Popular Film 1 (Winter 1972): 3-14. | PN1993 .J66 | Invasion of the Body Snatchers | |
| Guerrero, Edward | AIDS as Monster in Science Fiction and Horror Cinema, Journal of Popular Film and Television, 18:3 (1990): 86-93 | PN1993 .J66 | The Thing, The Fly | |
| Gunn, James | The Tinsel Screen: Science Fiction and the Movies, Teaching Science Fiction: Education for Tomorrow, ed. Jack Williamson. 205-218 (1980) | Summit received | Brief survey of recommended films. | |
| Haas, Robert | Introduction: The Cronenberg Project: Literature, Science, Psychology, and the Monster in Cinema, Post Script 15, no. 2 (1996): 3-10 | ILL ordered | ||
| Haber, Karen | Exploring the Matrix: Visions of the Cyber Present. | PN1997.M395 E88 2003 | The Matrix | |
| Hales, Barbara | Fritz Lang's Metropolis and Reactionary Modernism. New German Review, 1992, 8, 18-30. | ILL ordered | Metropolis | |
| Hamberg, Cynthia | My Hideous Progeny: Mary Shelleys Frankenstein, http://home-1.worldonline.nl/~hamberg/ | online | Frankenstein | |
| Hammett, Jennifer | "You Never Had a Camera Inside My Head": The Masculine Subject of the Postmodern Sublime, Criticism, 45:1 (Winter 2003): 75-87. | Online through Griffin | The Truman Show | |
| Hanson, Ellis | Technology, Paranoia and the Queer Voice, Screen 34:2 (1993): 137-61 | ILL ordered | ||
| Hapgood, Fred | The Magic Theater, Omni (December 1989): 114-116, 146-148 | Online through Griffin | ||
| Haraway, Donna | Simians, Cyborgs, and Women: The Reinvention of Nature | GN365.9 .H37 1991b | y | |
| Haraway, Donna | The Actors Are Cyborg, Nature is Coyote, and The geography Is Elsewhere: Postscript to Cyborgs at Large in Constance Penley & Andrew Ross, eds Technoculture, pp. 21-26 | T14.5 .T438 1991 | ||
| Hardcastle, Valerie Gray | Changing Perspectives of Motherhood: Images from the Aliens Trilogy, Film and Philosophy 3 (1996): 167-75 | ILL | Aliens | |
| Hardison, O. B. | Disappearing Through the Skylight: Culture and Technology in the Twentieth Century | CB478 .H36 1989 | ||
| Hark, Ina Rae | Star Trek and Televisions Moral Universe, Extrapolaation 20:1 (1979): 20-37 | PN3448.S45 E9 | excellent article on values in Star Trek | |
| Harmon, Gary L & Louis A. Woods | Jung and Star Trek: The Coincidentia Oppositorum and Images of the Shadow, Journal of Popular Culture 28:2 (1994): 169-84 | N1 .J6 | Star Trek | |
| Hawk, Byron | Hyperrhetoric and the Inventive Spectator: Remotivating The Fifth Element, in David Blakesley, The Terministic Screen: Rhetorical Perspectives on Film, pp. 70-91. | PN1994 .T47 2003 | Fifth Element | |
| Hawkins, Harriet | Paradigms Lost: Chaos, Milton and Jurassic Park, Textual Practice 8:2 (1994): 255-67 | ILL ordered | Jurassic Park | |
| Hayward, Philip, ed. | Off the Planet: Music, Sound and Science Fiction Cinema | PN1995.9 S26O34 2004 | Best for people with some musical training: The Day the Earth stood Still, Godzilla, Forbidden Planet, Space is the Place, Star Wars, Close Encounters of the Third Kind, Mad Max, Videodrome, The Fly, Blade Runner, Terminator, Mars Attacks!, The Matrix | |
| Heldreth, Leonard | Festering in Thebes: Elements of Tragedy and Myth in Cronenbergs Films, Post Script 15, no. 2 (1996): 46-61 | ILL ordered | ||
| Hendershot, Cyndy | Invaded Body, The: Paranoia and Radiation Anxiety in Invaders from Mars, It Came from Outer Space, and Invasion of the Body Snatchers, Extrapolation 39:1 (Spring 1998): 26-39. | PN3448.S45 E9 | loss of sexuality in Invaders from Mars, It Came from Outer Space, Invasion of the Body Snatchers | |
| Hendershot, Cyndy | "Vampire and Replicant: The One-Sex Body in a Two-Sex World." Science-Fiction Studies , 1995 Nov, 22:3, 373-98. Reply to Nancy Steeffe-Fluhr: Women and the Inner Game of Don Siegels Invasion of the Body Snatchers. |
PN3448.S45 S34 | About Dracula and Invasion of the Body Snatchers | |
| Hendershot, Cynthia | Paranoia, the Bomb, and 1950s Science Fiction Films | PN1995.9.S26 H37 1999 | ||
| Henning, C. M. | Star Wars and Close Encounters, Theology Today 35:2 (1978): 202-6 | BR1 .T62 | Star Wars, Close Encounters of the Third Kind | |
| Hermann, Chad | Some Horrible Dream about (S)mothering: Sexuality, Gender, and Family in the Alien Trilogy, Post Script 16:3 (1997): 36-50 | ILL | ||
| Heung, Marina | Why E.T. Must Go Home: the New Family in American Cinema, Journal of Popular Film and Television 11:2 (1983): 79-84 | PN1993 .J66 | E. T. | |
| Hewitt, Nigel | Metropolis and the Modernist Gothic, in Jeff Wallace, ed.: Gothic Modernisms (2001): 188-206. | PR888.M63 G67 2001 | Metropolis | |
| Higashi, Sumiko | Invasion of the Body Snatchers: Pods then and Now, Jump Cut, 24/25 (1981): 3-4 | PN1994 .J85x | differing roles of women in the original and remake of Invasion of the Body Snatchers | |
| Hoberman, J. | Paranoia and Pods, Sight and Sound 4:5 (1994): 28-31 | ILL | Invasion of the Body Snatchers | |
| Hodgens, Richard | A Brief, Tragical Histor,y of the Science Fiction Film, Film Quarterly 13 (Winter 1959): 30-39. Issue missing from library bound volume. | Microfilm 792.05 H729 | Negative article on SF film, The Thing, The Fly | |
| Holden, Stephen | Fending Off Alien Robots, But Still Time to Flirt New York Times, September 17, 2004. Available online with free registration. | Online access with registration | Sky Captain and the World of Tomorrow | |
| Holden, Stephen | Which Route Upward, On a Wing or a Prayer? in New York Times, July 11, 1997. Available online with free registration. | Online | Contact | |
| Huyssen, Andreas | "The Vamp and the Machine: Technology and Sexuality in Fritz Lang's Metropolis. New German Critique 24-5 (Fall-Winter 1981-2): 221-37. | PN4 .N4 | Metropolis | |
| Huyssen, Andreas | The Vamp and the Machine: Technology and Sexuality in Fritz Langs Metropolis, New German Critique 24/25 (1981/2): 221-57 | PN4 .N4 | Metropolis | |
| Instrell, Rick | Blade Runner: The Economic Shaping of a Film, in Cinema and Fiction: New Modes of Adapting, 1950-1990, ed. John Orr & Colin Nicholson | PN1995.3 .C56x 1992 | Blade Runner | |
| Irwin, William, ed. | Matrix and Philosophy, The: Welcome to the Desert of the Real. | PN1997.M395 M38 2002 | The Matrix | |
| Jameson, Frederic | SF Novels/SF Film, Science Fiction Studies 7, no. 3 (1980): 319-22 | PN3448.S45 S34 | 2001: A Space Odyssey, Soylent Green, Solaris | |
| Jancovich, Mark | Modernity and Subjectivity in The Terminator: The Machine as Monster in Contemporary American Culture, The Velvet Light Trap 30 (1992): 3-17 (online access begins with 2003) | ILL ordered | The Terminator | |
| Jeffords, Susan | The Battle of the Big Mamas: Feminism and the Alienation of Women, Journal of American Culture, 10:3 (1987): 73-84 | E169.O2 J68x | Alien, Aliens | |
| Jenkins, Henry & John Tulloch | Science Fiction Audiences: Watching Star Trek and Doctor Who | Summit | Star Trek, Doctor Who | |
| Jenkins, Stephen | Fritz Lang: The Image and the Look | PN1998.A3 L3583 | ||
| Jensen, Paul M. | The Cinema of Fritz Lang | Summit | ||
| Johnson, Glen-M. | 'We'd Fight . . .We Had To': The Body Snatchers as Novel and Film." Journal of Popular Culture , 1979, 13, 5-16 | N1 .J6 | Invasion of the Body Snatchers | |
| Johnson, William, ed. | Focus on the Science Fiction Film | PN1995.9.S26 J6 | Invasion of the Body Snatchers, | |
| Johnson-Smith, Jan | American Science Fiction TV: Star Trek, Stargate, and Beyond | On order | Star Trek | |
| Jolly, John | The Bellerophon Myth and Forbidden Planet, Extrapolation 27.1 (1986): 84-90 | PN3448.S45 E9 | Forbidden Planet | |
| Jordanova, L.J. | Fritz Langs Metropolis: Science, Machines and Gender, Issues in Radical Science 17 (1985): 5-21 | ILL ordered | Metropolis | |
| Joyrich, Lynne | Feminist Enterprise? Star Trek: The Next Generation and the Occupation of Feminity, Cinema Journal 35:2 (1996): 61-84 (Journal cancelled 1994) | ILL ordered | ||
| Kaes, Anton | Cinema and Modernity: On Fritz Lang's 'Metropolis. 19-35 in Grimm, (ed.); Hermand, Jost (ed.). High and Low Cultures: German Attempts at Mediation. Madison : U of Wisconsin P, 1994. | SUMMIT | Metropolis | |
| Kaes, Anton | Metropolis: City, Cinema, Modernity, in Timothy O. Benson, ed. Expressionist Utopias: Paradise, Metropolis, Architectural Fantasy, pp. 146-65 | Summit | ||
| Kalish, Alan, Michael Fath, Chris Ehrman, John Gant, Richard D. Ehrlich | For Our Balls Were Sheathed in Inertron: Textual Variations in The Seminal Novel of Buck Rogers, Extrapolation 29:4 (Winter 1988): 303-318. | PN3448.S45 E9 | ||
| Kaminsky, Stuart. | Don Siegel: Director. NY: Curtis, 1974. | ILL ordered | Invasion of the Body Snatchers | |
| Kaminsky, Stuart | "Don Siegel on Invasion of the Body Snatchers." Cinefantastique 2 (1972/73): 17 | ILL ordered | Invasion of the Body Snatchers | |
| Kapell, Matthew & William G. Doty, eds. | Jacking in to the Matrix Franchise: Cultural Reception and Interpretation (2004) | Summit | The Matrix | |
| Kavanagh, James H. | Feminism, Humanism and Science in Alien in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | Alien | |
| Kavanagh, James H. | Son of a Bitch: Feminism, Humanism and Science in Alien, October 13 (1980): 91-100. This volume missing from Holland collection. | ILL | Alien | |
| Kawin, Bruce F. | Children of the Light, in Grant, ed. Film Genre Reader II, Austin: Univ. of Texas Press, 1995, pp. 308-29 | Summit | ||
| Kellner, Douglas, Flo Leibowitz & Michael Ryan | Blade Runner: A Diagnostic Critique, Jump Cut 29 (1984): 6-8 | PN1994 .J85x | Marxist/feminist analysis of Blade Runner | |
| Kelly, Kevin | Cyberpunk Era: Interviews with William Gibson, Whole Earth Review 63 (Summer 1989): 78-82 | AP2 .C636 | Excerpts from various interviews by the author of Neuromancer, anovel influential on many SF films | |
| Kern, Gary | Zamyatins We: A Collection of Critical Essays | PG3476.Z34 M938 1988 | We | |
| Kinnard, Roy | The Flash Gordon Serials, Film in Review 39:4 (1988): 194-203 | ILL ordered | Flash Gordon | |
| Klein, Norman M. | Building Blade Runner, Social Text 28 (1991): 147-52 (Subscription began 1996) | ILL ordered | Blade Runner | |
| Kline, Sally, ed. | George Lucas: Interviews (Jackson: Univ. Press of Mississippi, 1999) | Summit | ||
| Knee, Adam | The Metamorphsis of the Fly, Wide Angle 14:1 (1992): 20-34 | PN1993 .W48 | The Fly | |
| Kolb, William M. | Blade Runner: An Annotated Bibliography, Literature/Film Quarterly 18:1 (1996): 19-64 | PN1995.3 .L57 | Blade Runner; each article listed is briefly summarized, includes many film reviews | |
| Kracauer, Siegfried | From Caligari to Hitler: A Psychological History of the German Film. Princeton, N.J.: Princeton University Press, 1947. | PN1993.5.G3 K7 1970 | Metropolis | |
| Kreitzer, Larry | Cultural Veneer of Star Trek, The, in Journal of Popular Culture 30:2 (Fall 1996): 1-28. | N1 .J6 | Star Trek | |
| Kroker, Arthur & David Cook, eds. | The Postmodern Scene: Excremental Culture and Hyper-Aesthetics | NX456.5.P66 K75 1986 | ||
| La Valley, Albert J. | Traditions of Trickery: The Role of Special Effects in the Science Fiction Film, Shadows of the Magic Lamp: Fantasy and Science Fiction in Film, eds. George Slusser & Eric S. Rabkin | PN1995.9.F36 S5 1985 | ||
| Lalumière, Claude | (Not So) Supertoys, January Magazine online at http://www.januarymagazine.com/SFF/supertoys.html | Online | A.I.: Artificial Intelligence | |
| Lancashire, Anne | Return of the Jedi: Once More With Feeling, Film Criticism 8.2 (1984): 55-66 | ILL ordered | ||
| Lancashire, Anne | Return of the Jedi: Once More with Feeling, Film Criticism 8:2 (1984): pp 55-66 | ILL | ||
| Landon, Brooks | Aesthetics of Ambivalence, The: Rethinking Science Fiction Film in the Age of Electronic (Re)production | PN1995.9.S26 L36 1992 | Good modern study stressing the unique properties of film vs. fiction. The Thing, Blade Runner. | |
| Landon, Brooks | Cyberpunk, Cinefantastique 18.1 (1987): 27-31, 58 | ILL ordered | ||
| Landon, Brooks | Cyberpunk: Future So Bright they Gotta Wear Shades, Cinefantastique 18 (December 1987): 27-31 | ILL | Influence of Blade Runner on cyberpunk fiction, plus comments on Max Headroom. | |
| Landon, Brooks | Rethinking Science Fiction in the Age of Electronic (Re)production: On a Clear Day You Can See the Horizon of Invisibility, Post Script 10, no. 1 (1990): 60-71 | ILL ordered | ||
| Landon, Brooks | The Insistence of Fantasy in Science Fiction Film, The Shape of the Fantastic: Selected Essays from the Seventh International Conference on the Fantastic in the Arts, ed. Olena H. Saciuk | Summit | ||
| Landon, Brooks | The Thing in All Its Guises: Reconsidering a Science Fiction Classic Chapter 2 of The Aesthetics of Ambivalence: Rethinking the Science Fiction Film in the Age of Electronic (Re)production . Westport , CT: Greenwood Press, 1993, pp. 27-44. | SUMMIT | The Thing | |
| Landon, Brooks, ed. | Forum on Science Fiction Film, Journal of the Fantastic in the Arts 2 (Summer 1989): 10-41 | PN56.F34 J68x | ||
| Landrum, Larry | Science Fiction Film Criticism in the Seventies, Journal of Popular Film and Television, 6:3 (1978): 287-9 | PN1993 .J66 | short bibliography | |
| Landy, Marcia & Stanley Shostak | Postmodernism as Folklore in Contemporary Science Fiction Cinema, Rethinking Marxism, 6:2 (1993):25-45 (Cancelled 1991) | ILL ordered | ||
| Latham, Rob | Subterranean Suburbia: Underneath the Small Town Myth in the Two Versions of Invaders from Mars, Science Fiction Studies 22:2 (1995): 198-208 | PN3448.S45 S34 | Invaders from Mars | |
| LaValley, Albert J. | Stage and Film Children of Frankenstein, The, in U. C. Knoepflmacher & George Levine, eds. The Endurance of Frankenstein: Essays on Mary Shellys Novel, pp. 243-89 | PR5397.F73 E5 | Frankenstein | |
| Lavery, David | "Departure of the Body Snatchers, or, The Confessions of a Carbon Chauvanist." Hudson Review 39 (Autumn 1986): 383-404. | AP2 .H886 | An anti-space travel article, little about the film, Invasion of the Body Snatchers | |
| Leach, James | The Man Who Fell to Earth: Adaptation by Omission, Literature/Film Quarterly 6:4 (Fall 1978): 371-379 | PN1995.3 .L57 | The Man Who Fell To Earth | |
| LeGacy, Arthur. | " Invasion of the Body Snatchers : A Metaphor for the Fifties." Literature/Film Quarterly 6.3 (1978): 285-91. | PN1995.3 .L57 | Cold War themes in Invasion of the Body Snatchers | |
| Lehman, Peter & Don Dasso | Special Effects in Star Wars, Wide Angle 1:1 (1979): 72-7. (Library collection begins with #2, despite incorrect cataloguing. Online version begins with vol. 18) | ILL | Star Wars | |
| Lev, Peter | Whose Future? Star Wars, Alien and Blade Runner, Literature/Film Quarterly 26:1 (1998): 30-37 | PN1995.3 .L57 | Politics & sexuality in Star Wars, Alien, Blade Runner | |
| Liddel, Elizabeth & Michael | Dune: A Tale of Two Texts, in John Orr & Colin Nicholson, eds. Cinema and Fiction: New Modes of Adapting, 1950-1990, pp. 122-39 | PN1995.3 .C56x 1992 | ||
| Lightman, Herb A. & Richard Patterson | Blade Runner: Production Design and Photography, Americn Cinematographer 63 (1982): 684-91, 715-25 | TR845 .A57 | Blade Runner | |
| Liu, Albert | The Last Days of Arnold Schwarzenegger, Genders 18 (1993): 102-12 | ILL ordered | ||
| Loukides, Paul and Linda K. Fuller, eds. | Beyond the Stars | PN1995.9.C36 B49 1990 | ||
| Lovell, Alan | Pods, in Don Siegel : American Cinema. London : British Film Institute, [1968], pp. 99-108. | SUMMIT | Invasion of the Body Snatchers | |
| Lowentrout, Peter M. | The Meta-Aesthetic of Popular Science Fiction Film, Extrapolation 29:4 (1988): 349-64 | PN3448.S45 E9 | The Man Who Fell To Earth, E.T., Starman | |
| Lucanio, Patrick | Them or Us: Archetypal Interpretations of Fifties Alien Invasion Films . Bloomington: Indiana UP, 1987 | PN1995.9.S26 L8 1987 | Them! The Thing | |
| Luciano, Patrick | Them or Us: Archetypal Interpretations of Fifties Alien Invasion Films | PN1995.9.S26 L8 1987 | ||
| Lyons, Mike | Cyber-Cinema, Cinefantastique 28, no. 8 (1997): 40-43, 62 | ILL ordered | ||
| Malmgren, Carl D. | Worlds Apart: Narratology of Science Fiction | PN3433.5 .M35 1991 | ||
| Mann, Karen B. | Narrative Entanglements: The Terminator, Film Quarterly 43:4 (1989/90): 17-27 | PN1993.H457 | The Terminator | |
| Marder, Elissa | Blade Runners Moving Still, Camera Obscura 27 (1991): 88-107 | ILL ordered | Blade Runner | |
| Markey, Constance | Birth and Rebirth in Current Fantasy Films, Film Criticism 7:1 (1982): 14-25 | ILL ordered | ||
| Markey, Constance | Birth and Rebirth in Current Fantasy Films, Film Criticism 7:1 (1982): 14-25 | ILL ordered | ||
| Maslin, Janet | In a Grisly Virtual Game, Flesh and Blood Are Not, New York Times April 23, 1999. Microfilm and online with registration. | AN33.N4 N49 x | eXistenZ | |
| Matheson, T. J. | Marcuse, Ellul and the Science-Fiction Film: Negative Responses to Technology, Science-Fiction Studies 19:3 (1992): 326-39 | PN3448.S45 S34 | Alien, Colossus: The Forbin Project, Forbidden Planet | |
| McBride, Joseph | Steven Spielberg: A Biography | Summit | ||
| McCarthy, P.A. | Zamyatin and the Nightmare of Technology, Science Fiction Studies 11:2 (July 1984): 122-129. | PN3448.S45 S34 | We | |
| McDermott, Mary & W. R. Robinson | 2001 and the Literary Sensibility, The Georgia Review, no. 26 (1972): 21-37 | AP2 .G375 | Classic early analysis of the film as an anti-literary visual construct. Use. | |
| McNamara, Kevin R. | Blade Runners Post-Individual Worldspace, Contemporary Literature 38:3 (1997): 422-46 | PN2 .W58 | Blade Runner | |
| McWeeny, Drew | Iron Giant, The, in Cinefantastique, 31:7 (August 1999): 16-17. | ILL ordered | Iron Giant | |
| Mead, Geraldn & Sam Appelbaum | Westworld: Fantasy and Extrapolation, Jump Cut 7 (1975): 12-13. http://www.ejumpcut.org/archive/onlinessays/JC07folder/westworld.html | Online | Westworld | |
| Mead, Syd | Designing the Future, Omnis Screen Flights/Screen Fantasies: The Future According to Science Fiction Cinema, 199-213 | Summit | ||
| Mellen, Joan | Welcoming the Future, Omnis Screen Flights/Screen Fantasies: The Future According to Science Fiction Cinema, 17-32 | Summit | ||
| Menville, Douglas & R. Reginald | Future Visions: The New Golden Age of Science Fiction Film | PN 1995.9 S26 M39 1985 | Popular survey of films with lots of photos, emphasizing 1977-1985 | |
| Metz, Christian | Trucage and the Film, Critical Inquiry 3:4 (Summer, 1977): 657-75 | PN80 .C7 | ||
| Michelson, Annette | Bodies in Space: Film as Carnal Knowledge, ArtForum 7:6 (1969): 54-63. (Subscription began 1975) | N1 .A814 microfilm | ||
| Miklitsch, Robert | Total Recall: Production, Revolution, Simulation-Alienation effect, Camera Obscura 32 (1993): 5-39 | ILL | ||
| Miles, Geoff & Carol Moore | Explorations, Prosthetics and Sacrifice: Phantasies of the Maternal Body in the Alien Trilogy, CineAction! 30 (1992): 54-62. | ILL ordered | Alien | |
| Miller, Mark Crispin | 2001: A Cold Descent, Sight and Sound 4:1 (1994): 18-25. | ILL ordered | 2001 | |
| Miller, Mark Crispin | Seeing Through the Movies. NY: St. Martins, 1989 | Summit | ||
| Miller, Mark Crispin | The Robot in the Western Mind, Boxed In: The Culture of TV, pp. 285-307 | P92.U5 M55 1988 | ||
| Miller, Martin & Robert Sprich | The Appeal of Star Wars: An Archetypal-Psychoanalytic Vew, American Imago 38:2 (1981): 203-20 | BF1400.A1 A49 | Star Wars | |
| Mizejewski, Linda | Total Recall: the Schwarzenegger Body on Postmodern Mars, Post Script: Essays in Film and the Humanities 12:3 (1993): 25-34. | ILL | Total Recall | |
| Morrison, Rachael | Casablanca Meets Star Wars: The Blakean Dialectics of Blade Runner, Literature/Film Quarterly 18:1 (1990): 2-10. | PN1995.3 .L57 | Blade Runner | |
| Murray, Janet H. | Hamlet on the Holodeck: The Future of Narrative in Cyberspace | QA76.76.I59 M87 1997 | ||
| Nagl, Manfred, trans. David Clayton | The Science Fiction Film in Historical Perspective, Science Fiction Studies 10:3 (1983): 262-77 | PN3448.S45 S34 | Marketing SF film | |
| Napier, Susan Jolliffe | Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation. | NC1766 .J3 N37 2001 | Akira | |
| Naureckas, Jim | Aliens: Mother and the Teeming Hordes, Jump Cut, 32 (1987): 1, 4 | PN1994 .J85x | feminist analysis of Alien, Aliens | |
| Neale, Stephen | Issues of Difference: Alien and Blade Runner, in James Donald, ed. Fantasy and the Cinema (1989) | Summit | Alien, Blade Runner | |
| Neale, Stephen | Youve Got To Be Fucking Kidding! Knowledge, Belief and Judgement in Science Fiction, Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema | PN1995.9.S26 A818 1990 | The Thing | |
| Necakov, Lillian | The Terminator: Beyond Classical Hollywood Narrative, CineAction! 8 (1987): 84-86 | ILL ordered | ||
| Nestriek, William | Coming to Life: Frankenstein and the Nature of Film Narrative, in U. C. Knoepflmacher & George Levine, eds.: The Endurance of Frankenstein: Essays on Mary Shellys Novel. | PR5397.F73 E5 | Frankenstein | |
| Neumann, Dietrich | Before and After Metropolis: Film and Architecture in Search of the Modern City, in Dietrich Neumann, ed. Film Architecture: Set Designs from Metropolis to Blade Runner, pp. 33-8. | PN1995.9.S4 F55x 1996 | Metropolis, Blade Runner | |
| Neumann, Dietrich | The Urbanistic Vision in Fritz Lang's Metropolis . 143-62 IN Kniesche, Thomas W. (ed.) Brockmann, Stephen (ed.). Dancing on the Volcano: Essays on the Culture of the Weimar Republic . Columbia, SC : Camden House, 1994. | SUMMIT | Metropolis | |
| Neustadter, Roger | Phone Home: From Childhood Amnesia to the Catcher in Sci-Fi: The Transformation of Childhood in Contemporary American Science Fiction Films, Youth and Society 20:2 (1989): 227-40. | HQ793 .Y6 | E.T., 2002, Close Encounters of the Third Kind | |
| Newitz, Annalee | Magical girls and Atomic Bomb Sperm: Japanese Animation in America, Film Quarterly 49, no. 1 (1995): 2-15 | ILL ordered | ||
| Newman, Kim | The Fifth Element, Sight and Sound 7:7 (July 1997): 39-40. | ILL | Fifth Element | |
| Newton, Judith | Feminism and Anxiety in Alien in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | Alien | |
| Niogret, Hubert | Un peu de magie par nécessité et par plaisir, Positif 273 (1983): 22-8 | ILL ordered | ||
| Ohlin, Peter | Science-Fiction Film Criticism and the Debris of Postmodernism, Science Fiction Studies 18:3 (1991): 411-19. | PN3448.S45 S34 | Review of Kahn: Alien Zone and Penley: Close Encounters; Blade Runner, Alien, Terminator | |
| Onosko, Tim | Mathemagicians: Computer Moviemakers of the 1980s and Beyond, Omnis Screen Flights/Screen Fantasies: The Future According to Science Fiction Cinema | Summit | ||
| Owens, Nancy | Image and Object: Hegel, Madonna, Metropolis, Spectator: The University of Southern California Journal of Film and Television Criticism 12:2 (1992): 58-63. | ILL ordered | ||
| Parrinder, Patrick | Imagining the Future: Wells and Zamayatin, Science Fiction Studies 1:1 (Spring 1973): 17-26; also in Darko Suvin, ed. H. G. Wells and Modern Science Fiction, pp. 126-143. | PR5777 .H25 1977 | ||
| Patalas, Enno | Metropolis: Scene 103, Camera Obscura 15 (1986): 165-74. | ILL ordered | Metropolis | |
| Patalas, Enno | Metropolis : Screen 103. In Penley et al, Close Encounters: Film, Feminism, and Science Fiction. (1991) 161-70. | PN1995.9.S26 C57 1991 | Metropolis | |
| Peary, Danny, ed. | Omni's screen flights/screen fantasies : the future according to science fiction cinema | PN1995.9.S26 O46 1984 | ||
| Pederson, Ellen M. | Steffen-Fluhr,Nancy (rejoinder. ) "Altering Invasion of the Body Snatchers" Science-Fiction Studies, 1985 Mar., 12:1 (35), 105-110. | PN3448.S45 S34 | Invasion of the Body Snatchers | |
| Penley, Constance | Time Travel, Primal Scene and the Critical Dystopia, in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | The Terminator | |
| Penly, Constance & Andrew Ross, eds. | Technoculture | T14.5 .T438 1991 | ||
| Picart, Caroline | Re-Birthing the Monstrous: James Whales (Mis)Reading of Mary Shelleys Frankenstein Critical Studies in Mass Communication 15, no. 4 (1998): 383-396 | ILL ordered | ||
| Pielke, Robert G. | Star Wars vs 2001: A Question of Identity, Extrapolation 24:2 (1983): 143-55 | PN3448.S45 E9 | Star Wars, 2001: A Space Odyssey | |
| Pinsky, Michael | Future Present: Ethics and/as Science Fiction. | PS374.S35 P55 2003 | Star Trek | |
| Pizzello, Stephen | Twelve Monkeys, A Dystopian Trip Through Time, American Cinematographer 77:1 (January 1996): 36-44. (Subscription cancelled 1994) | ILL ordered | Twelve Monkeys | |
| Pohl, Frederik | The Demi-Docs: Just Imagine and Things to Come, Omnis Screen Flights/Screen Fantasies: The Future According to Science Fiction Cinema | Summit | ||
| Pohl, Frederik & Frederik Pohl IV | Science Fiction: Studies in Film | Summit | ||
| Pounds, Michael C. | Race in Space: The Representation of Ethnicity in Star Trek and Star Trek, the Next Generation | PN1992.77.S73 P68 1999 | Star Trek | y |
| Rabkin, Eric S. | How Will the Future Film? Journal of the Fantastic in the Arts 2 (Summer 1989): 24-28 | PN56.F34 J68x | ||
| Rickman, Gregg | Science Fiction Film Reader | PN1995.9.S26 R53 2004 | Georges Melies, Metropolis, Day the Earth Stood Still, Invasion of the Body Snatchers, Planet of the Apes, 2001: A Space Odyssey, A Clockwork Orange, A.I.: Artificial Intelligence, Star Wars, E.T., Blade Runner, Alien, 12 Monkeys, Brazil, Back to the Future, The Truman Show, Men in Black, The Matrix | |
| Roberts, Robin | Sexual Generations: Star Trek: The Next Generation and Gender | PN1992.77 S732 R63 1999 | Feminist analyses of themes from Star Trek: The Next Generation. | |
| Robertson, Robbie | The Narrative Sources of Ridley Scotts Alien, in John Orr & Colin Nicholson, eds. Cinema and Fiction: New Modes of Adapting, 1950-1990. | PN1995.3 .C56x 1992 | Alien | |
| Robinson, David | Two for the Sci-Fi, Sight and Sound 35:2 (Spring 1961): 57-61. | PN1993 .S56 | The making of 2002: A Space Odyssey and Fahrenheit 451 | |
| Rodley, Chris | Cronenberg on Cronenberg | Summit | ||
| Roth, Lane | Death and Rebirth in Star Trek II: The Wrath of Khan, Extrapolation, 28:2 (1987): 159-66 | PN3448.S45 E9 | Star Trek II: the Wrath of Khan | |
| Roth, Lane | Metropolis : The Lights Fantastic: Semiotic Analysis of Lighting Codes in Relation to Character and Theme. Literature/Film Quarterly 6.4 (Fall 1978): 343-6. | PN1995.3 .L57 | Metropolis, focus on Maria | |
| Roth, Lane | The Rejection of Rationalism in Recent Science Fiction Films, Philosophy in Context, 11 (1981): 42-55. | ILL ordered | ||
| Roth, Lane | Vraisemblance and the Western Setting in Contemporary Science Fiction Film, Literature/Film Quarterly 13:3 (1985): 180-6 | PN1995.3 .L57 | ||
| Rubenstien, M. | The Unofficial Guide to The Hitch-Hikers Guide, Science Fiction Studies 29:1 (March 2002): 132-3. | PN3448.S45 S34 | Review of M. J. Simpson: A Completely Mad Utterly Unauthorized Guide to TheHitch-Hikers Guide to the Galaxy | |
| Rubey, Dan | Not So Long Ago, Not So Far Away, Jump Cut 41 (1997): 2-12, 130. (cancelled with vol. 41) | ILL | Star Wars | |
| Ruddick, Nicholas, ed. | State of the Fantastic: Studies in the Theory and Practice of Fantastic Literature and Film (1992). | PN56.F34 I58 1990 | ||
| Ruppersberg, Hugh | Alien Messiah, The: in Annette Kuhn, in Journal of Popular Film and Television, 14:4 (1987): 159-66; reprinted in Alien Zone | PN1993 J66 | Excellent article on The Day the Earth stood Still, 2001: A Space Odyssey, The Last Starfighter, Close Encounters of the Third Kind, Flight of the Navigator, The Terminator, The Man Who Fell to Earth, Cocoon | |
| Ruppert, Peter | Blade Runner: The Utopian Dialectics of Science Fiction Films, Cineaste 17:2 (1989): 8-13. | PN1993 .C5 | Blade Runner | |
| Rusher, Janice Hocker & Thomas S. Frentz | Projecting the Shadow: The Cyborg Hero in American Film (1995). | Summit | ||
| Rushing, Janice Hocker | E.T. as Rhetorical Transcendence, Quarterly Journal of Speech 71:2 (1985): 188-203 | PN4071 .Q3 | E.T. | |
| Rutsky, R. L. | The Mediation of Technology and Gender: Metropolis, Nazism, Modernism, New German Critique 60 (1993): 3-32. | PN4 .N4 | Metropolis | |
| Ryan, Michael & Douglas Kellner | Technophobia in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | ||
| Saleh, Dennis | Science Fiction Gold: Film Classics of the 50's . New York: McGraw Hill, 1979. | SUMMIT | ||
| Sammon, Paul M. | Future Noir: The Making of Blade Runner. | PN1997.B596 S26 1996 | Blade Runner; an outstanding account of what went into the film. | |
| Sammons, Todd H. | Return of the Jedi: Epic Graffiti, Science Fiction Studies 14:3 (1987): 355-71 | PN3448.S45 S34 | Return of the Jedi: parallels with epics | |
| Saunders, Ian | Richard Rorty and Star Wars: On the Nature of Pragmatisms Narrative, Textual Practice 8:3 (1994): 435-48. | ILL ordered | ||
| Scheib, Richard | Fantastic Planet (La planète sauvage), online at http://www.moria.co.nz/sf/fantasticplanet.htm | Online | Fantastic Planet | |
| Scheib, Richard | Time After Time Science Fiction, Horror and Fantasy Film Review, online at http://www.moria.co.nz/sf/timeaftertime.htm | online | Time After Time | |
| Schelde, Per | Androids, Humanoids, and Other Science Fiction Monsters: Science and Soul in Science Fiction Film NY: New York Univ. Pr., 1993 | Summit | Broad introductory survey of the topic. | |
| Schmertz, Johanna | On Reading the Politics of Total Recall, in Post Script: Essays in Film and the Humanities 12:3 (1993): 35-43. | ILL ordered | ||
| Schwab, Gabriele | Cyborgs: Postmodern Phantasms of Body and Mind, Discourse: Journal for Theoretical Studies in Media and Culture 9 (1987): 64-84. | ILL ordered | ||
| Schwartz, Nancy | THX 1138 vs. Metropolis, The Velvet Light Trap 4 (1972): 18-23; reprinted in Hal in the Classroom: Science Fiction Films | LB1044.H26 | TXH 1138, Metropolis | |
| Scigaj, Leonard M. | Bettelheim, Castaneda and Zen: the Powers Behind the Force in Star Wars, Extrapolation 22:3 | PN3448.S45 E9 | sources of the Force in Star Wars | |
| Scobie, Stephen | Whats the Story, Mother? The Mourning of the Alien, Science-Fiction Studies 20: 1( 1993): 80-93. | PN3448.S45 S34 | Alien | |
| Sconce, Jeffrey | Brains from Space: Mapping the Mind in 1950s Science and Cinema, Science as Culture 23 (1995): 277-302. | ILL ordered | ||
| Scott, A. O. | Dark Doings Proliferate in a World of Vivid Colors, New York Times, January 25, 2002. | Online with free registration | Metropolis (Japanese anime version) | |
| Selley, April | Transcendentalism in Star Trek: The Next Generation, Journal of American Culture 13:1 (1990): 31-34. | E169.O2 J68x | Star Trek: The Next Generation, similarities to Emerson | |
| Senior, W. A. | Blade Runner and Cyberpunk Visions of Humanity, Film Criticism 21:1 (1996): 1-12. | ILL ordered | Blade Runner | |
| Shapiro, Benjamin | Universal Truths: Cultural Myths and Generic Adaptation in 1950s Science Fiction Films, Journal of Popular Film and Television 18:3 (1990): 103-12. | PN1993 .J66 | The Day the Earth Stood Still, The Invasion of the Body Snatchers, War of the Worlds, Forbidden Planet | |
| Shapiro, Jerome F. | Atomic Bomb Cinema: The Apocalyptic Imagination on Film | PN1995.9.W3 S52 2002 | ||
| Sharrett, Christopher | Myth, Male Fantasy and Simulacra in Mad Max and The Road Warrior, Journal of Popular Film and Television 13:2 (1983): 80-92. | PN1993 .J66 | Mad Max, The Road Warrior | |
| Shay, Don and Jody Duncan | The Making of T2: Terminator 2: Judgment Day | PN1997.T397M35 1991, compact storage no. A5416 | Terminator 2: Judgment Day | |
| Shelton,Robert | Rendezvous with HAL: 2001/2010, Extrapolation 28:3 (1987): 255-68 | PN3448.S45 E9 | 2002: A Space Odyssey | |
| Shumaker, Conrad | More Human than Humans: Society, Salvation and the Outsider in Some Popular Films of the 1980s, Journal of American Culture 13:4 (Winter 1990): 77-84. | PN1993 .J66 | ||
| Siegel, Richard | Alien Creatures | PN1995.5 .S855x | ||
| Silverberg, Robert | The Way the Future Looks: Blade Runner and THX-1138 in: Silverberg, Robert. Reflections and Refractions: Thoughts on Science Fiction, Science, and Other Matters. | PS3569.I472 Z474 1997 | THX-1138 | |
| Silverberg, Robert | The Way the Future Looks: THX 1138 and Blade Runner, Omnis Screen Flights/Screen Fantasies: The Future According to Science Fiction Cinema | Summit | ||
| Silverman, Kaja | Back to the future, Camera Obscura 27 (1991): 109-32. | ILL ordered | ||
| Slade, Joseph W. | Romanticizing Cybernetics in Ridley Scotts Blade Runner, Literature/Film Quarterly 18:1 (1990): 11-19. | PN1995.3 .L57 | Blade Runner | |
| Slattery, Dennis Patrick | Demeter-Persephone and the Alien(s) Cultural Body, New Orleans Review 19:1 (1992): 30-35. | AP2 .N6212 | Aliens | |
| Sloan,-De-Villo | The Self and Self-less in Campbell's Who Goes There? and Finney's Invasion of the Body Snatchers . Extrapolation 29:2 ( 1988 Summer), 179-188. | PN3448.S45 E9 | The Thing, Invasion of the Body Snatchers | |
| Sobchack, Vivian | Child/Alien/Father: Patriarchal Crisis and Generic Exchange, Camera Obscura 15 (1986): 7-34. (Library subscription began 1990) | ILL ordered | ||
| Sobchack, Vivian | Cities on the edge of Time: The Urban Science Fiction Film, East-West Film Journal 3:1 (1988): 4-19 | ILL ordered | ||
| Sobchack, Vivian | Science Fiction, in Wes D. Ghering, ed. Handbook of American Film Genres, pp. 229-47. | Summit | ||
| Sobchack, Vivian | The Limits of Infinity: the American Science Fiction Film 1950-75. | PN1995.9.S26 S57 1980 | ||
| Sobchack, Vivian | Virginity of Astronauts, The: Sex and the Science Fiction Film in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | Alien, The Thing from Another World, | |
| Sofia, Zoe | Exterminting Fetuses: Abortion, Disarmament, and the Sexo-Semiotics of Extraterrestrialism, Diacritics 14:2 (1984): 47-59 | PN80 .D5 | ||
| Sontag, Susan | The Imagination of Disaster, Against Interpretation | PN771 .S62 | ||
| Springer, Claudia | Muscular Circuitry: The Invincible Armored Cyborg in Cinema, Genders 18 (1993): 87-101. | ILL ordered | ||
| Springer, Claudia | The Pleasure of the Interface, Screen 32:3 (1988): 20-44. | ILL ordered | ||
| Staiger, Janet | Future Noir: Contemporary Representations of Visionary Cities, East-West Film Journal 3:1 (1988): 20-44. | ILL ordered | ||
| Steffen-Fluhr, Nancy | "Women and the Inner Game of Don Siegel's Invasion of the Body Snatchers." Science-Fiction-Studies 11:2 (33) 1984 July, 139-153. | PN3448.S45 S34 | excellent article on Invasion of the Body Snatchers | |
| Stern, Michael | Making Culture Into Nature, Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema | PN1995.9.S26 A818 1990 | ||
| Stewart, Garrett | Close Encounters of the Fourth Kind, Sight and Sound 47:3 (1978): 167-74. | PN1993 .S56 | Close Encounters of the Third Kind, Voyage a la lune, Metropolis, Things to Come, The Day the Earth Stood Still, Forbidden Planet, A Clockwork Orange, THX 1138 | |
| Stewart, Garrett | The Videology of Science Fiction, Shadows of the Magic Lamp: Fantasy and Science Fiction in Film | PN1995.9.F36 S5 1985 | ||
| Stover, Leon E. | Prophetic Soul: A Reading of H. G. Wellss Things to Come, Together with His Film Treatment, Whither Mankind? and the Post-Production Script (both never before published), Jefferson, NC: McFarland, 1987. | PN1997.T42863 S78 1987 | Things to Come | |
| Strick, Philip | Age of the Replicant, The, Sight and Sound 51:3 (1982): 168-72 | PN1993 .S56 | Blade Runner | |
| Strick, Philip | Contact, Sight and Sound 7:10 (October 1997): 44-46. | ILL ordered | Contact | |
| Strick, Philip | Future States, Monthly Film Bulletin 661 (1989): 37-41 | ILL ordered | ||
| Strick, Philip | The Metropolis Wars: The City as Character in Science Fiction Films. In Omnis Screen Flights/Screen Fantasies: The Future According to Science Fiction Cinema , ed. Danny Peary. Garden City, NJ: Doubleday & Co., 1984. 43-49. | PN1995.9.S26 O46 1984 | Articles on a wide variety of films; perhaps the best collection of SF film writing ever. | |
| Strick, Phillip | A.I.: Artificial Intelligence, Sight and Sound 11:10 (October 2001): 38-39. | ILL ordered | A.I.: Artificial Intelligence | |
| Strickland, A. W. and Forrest J. Ackerman, eds. | A Reference Guide to American Science Fiction Films | ILL ordered | ||
| Swope, Richard | Science Fiction Cinema and the Crime of Social-Spacial Reality, Science Fiction Studies 29:2 (July 2002): 221-246. | PN3448.S45 S34 | The Thirteenth Floor, Dark City | |
| Taratt, Margaret | Monsters from the Id. Films and Filmaking December 1970; January 1971. p. 38. | ILL | Fantastic Planet | |
| Tarratt, Margaret | Monsters from the Id, Films and Filming 17 (December 1970/January 1971): 38-42, 40-42; reprinted in Barry Keith Grant, ed. Film Genre Reader | Summit | ||
| Taylor, Al | Making a Monster: The Creation of Screen Characters by the Great Makeup Artists | PN 2068 T3 | ||
| Telotte, J. P. | Distant Technology, A: Science Fiction Film and the Machine Age | PN1995.9 S26 T45 1999 | Excellent survey of the early history of SF film in Russia, Germany, France, the U.S., and England | |
| Telotte, J. P. | Doubles of Fantasy and the Space of Desire, The, in Annette Kuhn, ed. Alien Zone | PN1995.9 S26A818 1990 | Blade Runner, The Thing, Invasion of the Body Snatchers | |
| Telotte, J. P. | Enframing the Self: The Hardware and Software of Hardware, Science Fiction Studies 22:3 (1995): 323-32. | PN3448.S45 S34 | Hardware | |
| Telotte, J. P. | Human Artifice and the Science Fiction Film, Film Quarterly 36.3 (1983): 44-51 | PN1993 .H457 | Invasion of the Body Snatchers, The Thing from Another World, Alien, Blade Runner | |
| Telotte, J. P. | Just Imagine-ing the Metropolis of Modern America. Science Fiction Studies 23:2 (69) (1996 July), 161-70. | PN3448.S45 S34 | Just Imagine, Metropolis | |
| Telotte, J. P. | Replications: A Robotic History of the Science Fiction Film | PN1995.9.S26 T46 1995 | ||
| Telotte, J. P. | Science Fiction in Double Focus: Forbidden Planet, Film Criticism 13:3 (1989): 25-36. | ILL ordered | ||
| Telotte, J. P. | The Dark Side of the Force: Star Wars and the Science Fiction Tradition, Extrapolation 24:3 (1983): 216-26 | PN3448.S45 E9 | Star Wars | |
| Telotte, J. P. | The Ghost in the Machine: Consciousness and the Science Fiction Film, Western Humanities Review 42:3 (1995): 323-32. | AP2 .W426 | Short Circuit, Return of the Jedi, Terminator, Robocop | |
| Telotte, J. P. | The Problem of the Real and THX 1138, in Film Criticism, 34:3 (Spring 2000): 45-60. | ILL ordered | THX-1138 | |
| Telotte, J.P. | The Seductive Text of Metropolis . Chapter 2 of Replications: A Robotic History of the Science Fiction Film . U of Illinois P, 1995: 54-71. | PN1995.9.S26 T46 1995 | Metropolis | |
| Telotte, J.P. | The Terminator, Terminator II and the Exposed Body, Journal of Popular Film and Televsion, 20:2 (1992): 26-34. | ILL ordered | The Terminator, Terminator II: Judgment Day | |
| Telotte, J.P. | The Tremulous Public Body: Robots, Change and the Science Fiction Film, Journal of Popular Film and Television 19:1 (1991): 14-23. | PN1993 .J66 | Blade Runner, RoboCop, Cherry 2000 | |
| Telotte, J.P. | `The World of Tomorrow and the Secret Goal of Science Fiction, Journal of Film and Video 45:1 (1993): 27-39. (Abstract only available online.) | ILL ordered | ||
| Telotte, J.P. | Westworld, Futureworld and the Worlds Obscenity, in Nicholas Ruddick, ed. State of the Fantastic: Studies in the theory and Practice of Fantastic Literature and Film. | PN56.F34 I58 1990 | Westworld, Futureworld | |
| Testa, Bart | Technologys Body: Cronenberg, Genre and the Canadian Ethos, Post Script: Essays in Film and the Humanities 15:1 (1995): 39-57. | ILL ordered | ||
| Thomas, Richard | Meaning of Star Trek, The (1997) | PN1992.77.S732 R5 1997 | Star Trek | |
| Tichi, Cecelia | Shifting Gears: Technology, Literature, Culture in Modernist America | PS228.T42 T5 1987 | ||
| Torry, Robert | Politics and Parousia in Close Encounters of the Third Kind, Literature/Film Quarterly 19:3 (1991): 188-97. | PN1995.3 .L57 | Close Encounters of the Third Kind | |
| Trefz, Linda | Brother from Another Planet, American Cinematographer 65:11 (December 1984): 43-48. | TR845 .A57 | Brother From Another Planet | |
| Tuchman, Mitch | Close Encounter with Steven Spielberg, Film Comment 14, no. 1 (1978): 49-55 | PN1993 .F438 | General interview with the director, little on Close Encounters. | |
| Tudor, Andrew | Monsters and Mad Scientists: A Cultural History of the Horror Movie | Summit | ||
| Tulloch, John | Genetic Structuralism and the Cinema: A Look at Fritz Langs Metropolis, Australian Journal of Screen Theory 1 (1976): 3-50. | ILL ordered | Metropolis | |
| Turner, George | The Thing: 19501's Prize Fight. American Cinematorgrapher 72 (January 1991): 35-42. | TR845 .A57 | The Thing | |
| Twitchell, James B. | Frankenstein and the Anatomy of Horror, Georgia Review 37.1 (Spring 1983): 41-78 | AP2 .G375 | Freudian analysis of the novel and movie versions, including analysis of Rocky Horror Picture Show | |
| Tyrell, William Blake | Star Trek as Myth and Television as Mythmaker, Journal of Popular Culture 10:4 (1977): 711-19. | N1 .J6 | Star Trek | |
| Van Hise, James | Interview with Philip K. Dick, Starlog (February 1982): 19-22 | Summit online | Dicks reactions to the making of Blade Runner. | |
| Van Hise, James | The Blade Runner Screenwriters: Hampton Fancher and David Peoples, Starlog (May 1982): 23 | ILL ordered | The story of the early phases of the creation of the film. | |
| Vaughn, Thomas | Voices of Sexual Distortion: Rape, Birth, and Self-Annihilation Metaphors in the Alien Trilogy, Quarterly Journal of Speech 81:4 (1995): 423-35. | PN4071 .Q3 | ||
| Virilio, Paul | Cataract Surgery: Cinema in the Year 2000, Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema | PN1995.9.S26 A818 1990 | ||
| Virilio, Paul | The Last Vehicle, in Dietmar Kamper & Christoph Wulf, eds. Looking Back on the end of the World | BT876 .L66x 1989 | ||
| Virilio, Paul | The Vision Machine, tr. Julie Rose | N7430.5 .V4813 1994 | ||
| Virilio, Paul | War and Cinema: The Logistics of Perception | Summit | ||
| Wachhorst, Wyn | Time-Travel Romance on Film: Archetypes and Structures, Extrapolation 25.4 (Winter 1984): 340-359 | PN3448.S45 E9 | ||
| Warrick, Patricia S. | The Cybernetic Imagination in Science Fiction (1980) | PN3448.S45 W34 | ||
| Wasko, Janet | Hollywood in the Information Age | Summit | ||
| Weaver, Tom | Attack of the Monster Movie Makers: Double Feature Creature Attack: A Monster Merger of Two More Volumes of Classic Interviews | PN1995.9.S26 W43 2003 | ||
| Wegner, Phillip | On Zamyatins We: A Critical Map of Utopias Possible Worlds, Utopian Studies 4:2 (1993): 94-116. | HX806 .U7932x | We | |
| Wells, Paul | The Invisible Man: Shrinking Masculinity in the 1950s Science Fcition B- Movie. You Tarzan: Maculinity, Movies and Men. Ed. Pat Kirkham and Janet Thumim. NY: St. Martins 1993, pp. 181-99. | SUMMIT | The Invisible Man | |
| Wells, Paul. | The Invisible Man: Shrinking Masculinity in the 1950s Science Fcition B- Movie. You Tarzan: Maculinity, Movies and Men. Ed. Pat Kirkham and Janet Thumim. NY: St. Martins 1993, pp. 181-99 . | SUMMIT | ||
| Westfahl, Gary | Where No Market Has Gone Before: The Science-Fiction Industry and the Star Trek Industry, Extrapolation 37:4 (1996): 291-301. | PN3448.S45 E9 | sex and Star Trek | |
| White, Eric | The Erotics of Becoming: Xenogenesis and The Thing . Science Fiction Studies, 20:3 (1993 Nov), 394-408. | PN3448.S45 S34 | The Thing | |
| Wilcox, Clyde | To Boldly Return Where Others Have Gone Before: Cultural Change and the Old and New Star Treks, Extrapolation 33:1 (1992): 88-100. | PN3448.S45 E9 | Star Trek | |
| Williams, Alan | Structures of Narrativity in Fritz Langs Metropolis, Film Quarterly 27:4 (1974): 17-24. | PN1993 .H457 | Metropolis | |
| Williams, Tony | Close Encounters of the Authoritarian Kind, Wide Angle 5.4 (1983): 22-29 | Online PN1993 .W48 | ||
| Wilson, Louise | Cyberwar, God and Television: Interview with Paul Virillio CTheory. Online at http://www.ctheory.net/text_file.asp?pick=62 | |||
| Wolfe, Gary | The Known and the Unknown: The Iconography of Science Fiction | PS374.S35 W6 | ||
| Wolfe, Gary K. | Commentary: The Truman Show, Locus 41:1 (July 1998): 35, 69. | Z286.F3 L63x | The Truman Show | |
| Wolfe, Gary K. | Icon of the City. Chapter 4 of T he Known and Unknown: The Iconography of Science Fiction . Kent State UP, 1976. | PS374.S35 W6 | ||
| Wood, Andy | More than Metaphor: Double Vision in Lang's Metropolis. Foundation: The-Review of Science Fiction . 1995 Summer, 64, 70-81. | PS374.S35 F68 | Metropolis | |
| Wood, Dennis | Growing Up Among the Stars, Literature/Film Quarterly 6:4 (1978): 327-42. | PN1995.3 .L57 | Fantasy novel parallels with Star Wars; Lord of the Rings, Once and Future King | |
| Wood, Robert E. | Cross Talk: The Implication of Generic Hybridization in the Alien Films, Studies in the Humanities 15:1 (1988): 1-12. | AS36.I5 S78 | Alien, Aliens | |
| Wynorski, Jim, ed. | They Came From Outer Space: 12 Classic Science Fiction Tales That Became Major Motion Pictures.Contains: Dr. Cyclops / by Henry Kuttner -- Who goes there? / by John W. Campbell, Jr. -- Farewell to the master / by Harry Bates -- The fog horn / by Ray Bradbury -- Deadly city / by Ivar Jorgenson-- The alien machine / by Raymond F. Jones -- The cosmic frame / by Paul W. Fairman -- The fly / by George Langelaan -- The seventh victim / by Robert Sheckley -- The sentinel / by Author C. Clarke -- The racer / by Ib Melchior -- A boy and his dog / by Harlan Ellison | PS648.S3 T46 | Stories which inspired major SF films, with introductions |