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Claude McKay: Bibliography

Ali, Schavi Mali. "Claude Mckay." Dictionary of Literary Biography (Dlb). Eds. Harris, Trudier and Thadious M. Davis. Detroit, MI: 7Letras, 1987. xv, 333 pp. Print.

Avi-Ram, Amitai F. "The Unreadable Black Body: 'Conventional' Poetic Form in the Harlem Renaissance." Genders 7 (1990): 32-46. Print.

Bajeux, Jean-Claude. Antilia Retrouvee: La Poesie Noire Antillaise a Travers L'oeuvre De Claude Mckay, Luis Pales Matos, Aime Cesaire. Ann Arbor, MI, 1977. Print.

Balestra, Gianfranca. "Claude Mckay's Banana Bottom: A Fictional Return to Jamaica." RSA Journal: Rivista di Studi Nord-Americani 12 (2001): 5-16. Print.

Banks, Kimberly Jaye. Representations of Vernacular Culture: Women as Culture Bearers in the Works of Claude Mckay, Langston Hughes, Zora Neale Hurston, and Katherine Dunham. 2002. Print.

Barksdale, Richard K. "Symbolism and Irony in Mckay's Home to Harlem." College Language Association Journal 15 (1972): 338-44. Print.

Barros, Paul de. "'the Loud Music of Life': Representations of Jazz in the Novels of Claude Mckay." Antioch Review 57.3 (1999): 306-17. Print.

Bayindir, Turgay. "War-Broken Masculinites and the Search for Healing in the Sun Also Rises and Home to Harlem." Literatures of War. Eds. Pine, Richard and Eve Patten. Newcastle upon Tyne, England: Cambridge Scholars, 2008. xii, 466 pp. Print.

Binder, Wolfgang. "'a Black Icon in the Flesh': The Afroamerican Writer in Europe: The Case of Claude Mckay." L'amerique Et L'europe: Realites Et Representations, I. Ed. Shumsky, Neil Larry. Aix-en-Provence: Univ. de Provence, 1985. 186 pp. Print.

Blary, Liliane. "Claude Mckay and Black Nationalist Ideologies (1934-1948)." Publications De L'universite De Lille. Eds. Durand, Regis and Michel Fabre. Villeneuve d'Ascq: Univ. de Lille III, 1976. 270 pp. Print.

Blasco, Lawrence David. The Image of the City in the Works of William Carlos Williams, Kenneth Fearing, and Claude Mckay. 2002. Print.

Breitinger, Eckhard. "In Search of an Audience: In Search of the Self: Exile as a Condition for the Works of Claude Mckay." The Commonwealth Writer Overseas: Themes of Exile and Expatriation. Ed. Niven, Alastair. Brussels: Didier, 1976. 324 pp. Print.

Brice-Finch, Jacqueline. "Education Abroad: What Price Knowledge?" MAWA Review 7.1 (1992): 17-21. Print.

Briere, Eloise. "The Harlem Renaissance and Negritude: The Transmission of Modernism." Critiques Litteraires (Critiques Litteraires). Ed. Bouygues, Claude. Paris, France: Harmattan, 1992. 295 pp. Print.

Brown, Jarret Hugh. Black Masculinities as Marronage: Claude Mckay's Representation of Black Male Subjectivities in Metropolitan Spaces. 2011. Print.

Brown, Michael R. Five Afro-American Poets: A History of the Major Poets and Their Poetry in the Harlem Renaissance. Ann Arbor, MI, 1972. Print.

Brown Rose, Josie Ann. 'Claiming the Old Country and That Man's Country': Dual Criticism in the Transnational Space: Caribbean Literature in America. 2003. Print.

Brown-Rose, J. A. Critical Nostalgia and Caribbean Migration. Caribbean Studies (Caribbean Studies). New York, NY: Peter Lang, 2009. Print.

Cagan, Penni. "Claude Mckay." Dictionary of Literary Biography (Dlb). Ed. Quartermain, Peter. Detroit, MI: Gale, 1986. 452 pp. Print.

Callahan, John F. "'a Long Way from Home': The Art and Protest of Claude Mckay and James Baldwin." Contemporary Literature 34.4 (1993): 767-76. Print.

Camarasana, Linda. The Bed and the Battlefield: Gender, Sex and Nation in Trans-Modernist Novel. 2008. Print.

Carby, Hazel. "Policing the Black Woman's Body in an Urban Context." Critical Inquiry 18.4 (1992): 738-55. Print.

Carroll, William. "A Sonnet Sequence for the Diaspora: The 'Angry Sonnets' of Claude Mckay." MAWA Review 14.2 (1999): 89-94. Print.

Cartey, Wilfred. "Four Shadows of Harlem." Negro Digest 18.10 (1969): 22-25, 83-92. Print.

Casmier, Stephen. "Race, Newspapers and Hegemony in Banjo by Claude Mckay." GRAAT: Publication des Groupes de Recherches Anglo-Americaines de l'Universite Francois Rabelais de Tours 27 (2003): 177-88. Print.

Chancy, Myriam J. A. "Border Crossings: The Diasporic Travels of Claude Mckay and Zora Neale Hurston." The Harlem Renaissance Revisited: Politics, Arts, and Letters. Ed. Ogbar, Jeffrey O. G. Baltimore, MD: Johns Hopkins UP, 2010. 264 pp. Print.

Chaney, Michael A. "Traveling Harlem's Europe: Vagabondage from Slave Narratives to Gwendolyn Bennett's 'Wedding Day' and Claude Mckay's Banjo." Journal of Narrative Theory 32.1 (2002): 52-76. Print.

Chasar, Mike. "The Sounds of Black Laughter and the Harlem Renaissance: Claude Mckay, Sterling Brown, Langston Hughes." American Literature: A Journal of Literary History, Criticism, and Bibliography 80.1 (2008): 57-81. Print.

Chauhan, P. S. "Rereading Claude Mckay." College Language Association Journal 34.1 (1990): 68-80. Print.

Chi, Yuan Wen. "In Search of Black Identity: Claude Mckay's Home to Harlem." American Studies/Meiguo yan jiu 21.1 (1991): 103-22. Print.

Chin, Timothy S. "'Bullers' and 'Battymen': Contesting Homophobia in Black Popular Culture and Contemporary Caribbean Literature." Callaloo 20.1 (1997): 127-41. Print.

Christian, Barbara. Spirit Bloom in Harlem. The Search for a Black Aesthetic During the Harlem Renaissance: The Poetry of Claude Mckay, Countee Cullen, and Jean Toomer. Ann Arbor, MI, 1973. Print.

Cobham, Rhonda. "Jekyll and Claude: The Erotics of Patronage in Claude Mckay's Banana Bottom." Series Q (Series Q). Eds. Patton, Cindy and Benigno Sanchez-Eppler. Durham, NC: Duke UP, 2000. 306 pp. Print.

Collier, Eugenia W. "The Four-Way Dilemma of Claude Mckay." College Language Association Journal 15 (1972): 345-53. Print.

Condit, John Hillyer. "An Urge toward Wholeness: Claude Mckay and His Sonnets." College Language Association Journal 22 (1979): 350-64. Print.

Conroy, Mary. "The Vagabond Motif in the Writings of Claude Mckay." Negro American Literature Forum 5.1 (1971): 15-23. Print.

Conroy, M. James. Claude Mckay: Negro Poet and Novelist. Ann Arbor, MI, 1969. Print.

Cooper, Carolyn. "Race and the Cultural Politics of Self-Representation: A View from the University of the West Indies." Research in African Literatures 27.4 (1996): 97-105. Print.

Cooper, Wayne. "Claude Mckay and the New Negro." Phylon: The Atlanta University Review of Race and Culture 25.3 (1964): 297-306. Print.

Cooper, Wayne F. Claude Mckay-Rebel Sojourner in the Harlem Renaissance: A Biography. Baton Rouge: Louisiana State UP, 1987. Print.

---. The Passion of Claude Mckay: Selected Poetry and Prose, 1912-1948. New York: Schocken, 1973. Print.

Cordobes, Fernando. "El Regreso Al Harlem De Claude Mckay." Cuadernos Hispanoamericanos 731 (2011): 47-54. Print

Dalleo, Raphael. "Bita Plant as Literary Intellectual: The Anticolonial Public Sphere and Banana Bottom." Journal of West Indian Literature 17.1 (2008): 54-67. Print.

Donohue, Charles T. The Making of a Black Poet: A Critical Biography of Claude Mckay for the Years 1889-1922. Ann Arbor, MI, 1973. Print.

Dorris, Ronald. "Claude Mckay's Home to Harlem: A Social Commentary." The McNeese Review 29 (1982): 53-62. Print.

---. "Rhythm in Claude Mckay's 'Harlem Dancer'." 'This Is How We Flow': Rhythm in Black Cultures. Ed. Nelson, Angela M. S. Columbia, SC: U of South Carolina P, 1999. 160 pp. Print.

Dowling, Robert M. Slumming in New York: From the Waterfront to Mythic Harlem. Urbana, IL: U of Illinois P, 2007. Print.

Drowne, Kathleen Morgan. "'Theah's Life Anywheres Theah's Booze and Jazz': Home to Harlem and Gingertown in the Context of National Prohibition." Callaloo 34 3 (2011): 928-42. Print.

Duboin, Corinne. "Le Sens De L'espace, L'espace Des Sens Dans Home to Harlem De Claude Mckay." Interlangues: Litteratures (Interlanguesl). Eds. Duboin, Corinne and Eric Tabuteau. Toulouse, France: PU du Mirail, 2000. 270 pp. Print.

Eastman, Max. The Collected Poems of Claude Mckay. New York, NY, 1952. Print.

Egar, Emmanuel Edame. The Poetics of Rage: Wole Soyinka, Jean Toomer, and Claude Mckay. Lanham, MD: UP of America, 2005. Print.

Elimimian, Isaac I. "Theme and Technique in Claude Mckay's Poetry." College Language Association Journal 25.2 (1981): 203-11. Print.

Emanuel, James A. "Renaissance Sonneteers." Black World 24.11 (1975): 32-45, 92-97. Print.

Fabre, Michel. "Aesthetics and Ideology in Banjo." Publications De L'universite De Lille. Eds. Durand, Regis and Michel Fabre. Villeneuve d'Ascq: Univ. de Lille III, 1976. 270 pp. Print.

---. "Du Mouvement Nouveau Noir a La Negritude Cesairienne." Etudes Lit. Fr. Ed. Leiner, Jacqueline. Tubingen: Narr, 1984. xiii, 439 pp. Print.

Frias, Maria. "On Teaching African-American Literature When Harlem Was in Vogue: Langston Hughes and Claude Mckay." Biblioteca Javier Coy D'estudis Nord-Americans (Biblioteca Javier Coy D'estudis Nord-Americans). Ed. Manuel,

Carme. Valencia, Spain: Universitat de Valencia, 2001. 133 pp. Print.

Giles, James R. Claude Mckay. Twayne's United States Authors Series. Boston: Twayne, 1976. Print.

Goldweber, David. "Home at Last: The Pilgrimage of Claude Mckay." Commonweal 126.15 (1999): 11-13. Print.

Gosciak, Josh. Between Diaspora and Internationalism: Claude Mckay and the Making of a Black Public Intellectual. 2003. Print.

---. "Most Wanted: Claude Mckay and the 'Black Specter' of African American Poetry in the 1920s." Modernism on File: Modern Writers, Artists, and the Fbi, 1920-1950. Eds. Culleton, Claire A. and Karen Leick. New York, NY: Palgrave Macmillan, 2008. vi, 269 pp. Print.

---. The Shadowed Country: Claude Mckay and the Romance of the Victorians. New Brunswick, NJ: Rutgers UP, 2006. Print.

Grannis, Kerry Searle. Secular Spiritual Quests in Modern American Novels, 1922-1960. 2010. Print.

Grant, William E. "Claude Mckay." Dictionary of Literary Biography (Dlb). Eds. Rood, Karen Lane and Malcolm Cowley. Detroit, MI: Thomson Gale, 1980. xv, 426 pp. Print.

Greenberg, Robert M. "Idealism and Realism in the Fiction of Claude Mckay." College Language Association Journal 24.3 (1981): 237-61. Print.

Griffin, Barbara. "The Road to Psychic Unity: The Politics of Gender in Claude Mckay's Banana Bottom." Callaloo 22.2 (1999): 499-508. Print.

Griffin, Barbara J. "Claude Mckay: The Evolution of a Conservative." College Language Association Journal 36.2 (1992): 157-70. Print.

Griffin, Barbara Jackson. The Fragmented Vision of Claude Mckay: A Study of His Works. 1990. Print.

---. "The Last Word: Claude Mckay's Unpublished 'Cycle Manuscript'." MELUS 21.1 (1996): 41-57. Print.

Griffin, Barbara L. J. "Claude Mckay (1890-1948)." African American Autobiographers: A Sourcebook. Ed. Nelson, Emmanuel S. Westport, CT: Greenwood, 2002. xv, 416 pp. Print.

Gyssels, Kathleen. "'to the White Fiends': Damas Et Mckay Et La Triple Delocalisation (Raciale, Gender, Classe) De Deux 'Vicieux Modernistes'." Riveneuve Continents (Riveneuve Continents). Ed. De Gaudemar, Antoine. Paris, France: Riveneuve, 2008. 224 pp. Print.

Hamalian, Leo. "D. H. Lawrence and Black Writers." Journal of Modern Literature 16.4 (1990): 579-96. Print.

Han, Jihee. "Coming Home to Harlem: Claude Mckay, Primitivism, and Black Identity." Feminist Studies in English Literature 13.2 (2005): 5-25. Print.

Hansell, William H. "Jamaica in the Poems of Claude Mckay." Studies in Black Literature 7.3 (1976): 6-9. Print.

---. Positive Themes in the Poetry of Four Negroes: Claude Mckay, Countee Cullen, Langston Hughes, and Gwendolyn Brooks. Ann Arbor, MI, 1972. Print.

---. "Some Themes in the Jamaican Poetry of Claude Mckay." Phylon: The Atlanta University Review of Race and Culture 40.2 (1979): 123-39. Print.

Harris, Leonard. "The Great Debate: W. E. B. Du Bois Vs. Alain Locke on the Aesthetic." Philosophia Africana: Analysis of Philosophy and Issues in Africa and the Black Diaspora 7.1 (2004): 15-39. Print.

Harris, Laura A. "'What's in a Name?' That Which We Call Brilliance by Any Other Name Would Read as Festus Claudius Mckay." Radical History Review 103 (2009): 236-43. Print.

Hathaway, Heather. Caribbean Waves. Blacks in the Diaspora (Bid). Bloomington, IN: Indiana UP, 1999. Print.

---. "Exploring 'Something New': The 'Modernism' of Claude Mckay's Harlem Shadows." W. E. B. Du Bois Institute Series (Wdbis). Eds. Hathaway, Heather, Josef Jarab and Jeffrey Melnick. Oxford, England: Oxford UP, 2003. xiii, 266 pp.

Print.

Hathaway, Heather A. Cultural Crossings: Migration, Generation, and Gender in Writings by Claude Mckay and Paule Marshall. 1994. Print.

Heise, Thomas. Urban Underworlds: A Geography of Twentieth-Century American Literature and Culture. American Literatures Initiative (American Literatures Initiative). New Brunswick, NJ: Rutgers UP, 2011. Print.

Helbling, Mark. "Claude Mckay: A Question of Margins." Juxtapositions: The Harlem Renaissance and the Lost Generation. Eds. Marx, Lesley, Loes Nas and Chandre Carstens. Cape Town, South Africa: University of Cape Town, 2000. 149 pp. Print.

---. "Claude Mckay: Art and Politics." Negro American Literature Forum 7.2 (1973): 49-52. Print.

Hieglar, Charles J. "Claude Mckay's 'If We Must Die,' Home to Harlem, and the Hog Trope." ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 8.3 (1995): 22-26. Print.

Hoagwood, Terence. "Claude Mckay's 'Harlem Shadows'." Explicator 68 1 (2010): 51-54. Print.

Holcomb, Gary Edward. Claude Mckay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance. Gainesville, FL: UP of Florida, 2007. Print.

---. "Claude Mckay's 'the Biter Bit': 'Calalu' and Caribbean Colonialism." Callaloo: A Journal of African Diaspora Arts and Letters 30.1 (2007): 313-14. Print.

---. "Diaspora Cruises: Queer Black Proletarianism in Claude Mckay's A Long Way from Home." MFS: Modern Fiction Studies 49.4 (2003): 714-45. Print.

---. "The Sun Also Rises in Queer Black Harlem: Hemingway and Mckay's Modernist Intertext." Journal of Modern Literature 30.4 (2007): 61-81. Print.

---. Writing Travel in Anglophone Caribbean Literature: Claude Mckay, Shiva Naipaul, and Jamaica Kincaid. 1996. Print.

---. "Hemingway and Mckay, Race and Nation." Hemingway and the Black Renaissance. Eds. Holcomb, Gary Edward and Charles Scruggs. Columbus, OH: Ohio State UP, 2012. x, 246 pp. Print.

Homar, Susan. La Memoria Del Mundo En El Fondo Del Lenguaje: Lengua E Identidad En Tres Novelas Del Caribe. 1983. Print.

Howard, Yetta. Ugly Dykes: Pejorative Identities and the Anti-Aesthetics of Lesbianism. 2010. Print.

Hutchinson, George. "American Transnationalism and the Romance of Race." Amerikastudien/American Studies 55 4 (2010): 687-97. Print.

James, Jennifer C. A Freedom Bought with Blood: African American War Literature from the Civil War to World War Ii. Chapel Hill, NC: U of North Carolina P, 2007. Print.

James, Winston. "Becoming the People's Poet: Claude Mckay's Jamaican Years, 1889-1912." Small Axe: A Caribbean Journal of Criticism 13 (2003): 17-45. Print.

Jarrett, Gene Andrew. A Long Way from Home. Multi-Ethnic Literatures of the Americas (Mela) (Multi-Ethnic Literatures of the Americas (Mela)). New Brunswick, NJ: Rutgers UP, 2006. Print.

Jay, Paul. "Hybridity, Identity and Cultural Commerce in Claude Mckay's Banana Bottom." Callaloo 22.1 (1999): 176-94. Print.

Jellenik, Glenn. "Quiet, Music at Work: The Soundtrack and Adaptation." Adaptation Studies: New Approaches. Eds. Albrecht-Crane, Christa and Dennis Cutchins. Madison, NJ: Fairleigh Dickinson UP, 2010. 306 pp. Print.

Jenkins, Lee M. "'Black Murphy': Claude Mckay and Ireland." Irish University Review: A Journal of Irish Studies 33.2 (2003): 279-90. Print.

---. "'If We Must Die': Winston Churchill and Claude Mckay." Notes and Queries 50.248) (3 (2003): 333-37. Print.

---. The Language of Caribbean Poetry: Boundaries of Expression. Gainesville, FL: UP of Florida, 2004. Print.

Karrer, Wolfgang. "Black Modernism? The Early Poetry of Jean Toomer and Claude Mckay." Jean Toomer and the Harlem Renaissance. Eds. Fabre, Genevieve and Michel Feith. New Brunswick, NJ: Rutgers UP, 2001. xii, 235 pp. Print.

Kaye, Jacqueline. "Claude Mckay's 'Banjo'." Presence Africaine: Revue Culturelle du Monde Noir/Cultural Review of the Negro World 73 (1970): 165-69. Print.

Keller, James R. "'a Chafing Savage, Down the Decent Street': The Politics of Compromise in Claude Mckay's Protest Sonnets." African American Review 28.3 (1994): 447-56. Print.

Kent, George E. "Claude Mckay's Banana Bottom Reappraised." College Language Association Journal 18 (1974): 222-34. Print.

---. "The Soulful Way of Claude Mckay." Black World 20.1 (1970): 37-51. Print.

Kesteloot, Lilyan, and Ellen C. Kennedy. "Negritude and Its American Sources." Boston University Journal 22.2 (1974): 54-67. Print.

Klobah, Mahoumbah. Troubled Kinship: Africanist Discourse in African American Literature. 2002. Print.

Knadler, Stephen. "Domestic Violence in the Harlem Renaissance: Remaking the Record from Nella Larsen's Passing to Toni Morrison's Jazz." African American Review 38.1 (2004): 99-118. Print.

Krishnamurthy, Sarala. "Claude Mckay (1889-1948)." African American Authors, 1745-1945: A Bio-Bibliographical Critical Sourcebook. Ed. Nelson, Emmanuel S. Westport, CT: Greenwood, 2000. xvi, 525 pp. Print.

Lacovia, R. M. "Migration and Transmutation in the Novels of Mckay, Marshall, and Clarke." Journal of Black Studies 7 (1977): 437-54. Print.

Lang, Phyllis M. "Claude Mckay: Evidence of a Magic Pilgrimage." College Language Association Journal 16 (1973): 475-84. Print.

---. Claude Mckay: The Later Years, 1934-1948. Ann Arbor, MI, 1973. Print.

Larson, Charles R. "Three Harlem Novels of the Jazz Age." Critique: Studies in Modern Fiction 11.3 (1969): 66-78. Print.

Lawrence, Leota S. "Three West Indian Heroines: An Analysis." College Language Association Journal 21 (1977): 238-50. Print.

Lederer, Richard. "The Didactic and the Literary in Four Harlem Renaissance Sonnets." English Journal 62 (1973): 219-23. Print.

Lee, A. Robert. "Harlem on My Mind: Fictions of a Black Metropolis." Crit. Studies Ser. Ed. Clarke, Graham. New York: St. Martin's, 1988. 223 pp. Print.

Lee, Robert A. "On Claude Mckay's 'If We Must Die'." College Language Association Journal 18 (1974): 216-21. Print.

LeSeur, Geta. "Claude Mckay's Marxism." Garland Reference Library of the Humanities (Grlh). Eds. Singh, Amritjit, William S. Shiver and Stanley Brodwin. New York: Garland, 1989. xv, 342 pp. Print.

LeSeur, Geta J. "Claude Mckay's Romanticism." College Language Association Journal 32.3 (1989): 296-308. Print.

Lindberg, Kathryne V. "Rebels to the Right/Revolution to the Left: Ezra Pound and Claude Mckay in 'the Syndicalist Year' of 1912." Paideuma: A Journal Devoted to Ezra Pound Scholarship 29.1-2 (2000): 11-77. Print.

Lively, Adam. "Continuity and Radicalism in American Black Nationalist Thought, 1914-1929." Journal of American Studies 18.2 (1984): 207-35. Print.

Lopez, Manuel D. "Claude Mckay." Bulletin of Bibliography 29 (1972): 128-34. Print.

Lowney, John. "Haiti and Black Transnationalism: Remapping the Migrant Geography of Home to Harlem." African American Review 34.3 (2000): 413-29. Print.

Lueth, Elmer. "The Scope of Black Life in Claude Mckay's Home to Harlem." Obsidian II: Black Literature in Review 5.3 (1990): 43-52. Print.

Lutz, Tom. "Claude Mckay: Music, Sexuality, and Literary Cosmopolitanism." Border Crossings (Border Crossings). Eds. Simawe, Saadi A. and Daniel Albright. New York, NY: Garland, 2000. xxv, 275 pp. Print.

---. "Teaching Claude Mckay's Home to Harlem." African American Literature and Culture (African American Literature and Culture). Ed. Soto, Michael. New York, NY: Peter Lang, 2008. xvii, 247 pp. Print.

Maiwald, Michael. "Race, Capitalism, and the Third-Sex Ideal: Claude Mckay's Home to Harlem and the Legacy of Edward Carpenter." MFS: Modern Fiction Studies 48.4 (2002): 825-57. Print.

Malouf, Michael G. Transatlantic Solidarities: Irish Nationalism and Caribbean Poetics. New World Studies (Nws). Charlottesville, VA: U of Virginia P, 2009. Print.

Marsh, John. Hog Butchers, Beggars, and Busboys: Poverty, Labor, and the Making of Modern American Poetry. Class: Culture (Class: Culture). Ann Arbor, MI: U of Michigan P, 2011. Prin

Maxwell, William J. "Banjo Meets the Dark Princess: Claude Mckay, W. E. B. Du Bois, and the Transnational Novel of the Harlem Renaissance." Cambridge Companions to Literature (Cctl). Ed. Hutchinson, George. Cambridge, England: Cambridge UP, 2007. xx, 272 pp. Print.

---. Complete Poems: Claude Mckay. American Poetry Recovery Series (American Poetry Recovery Series). Urbana, IL: U of Illinois P, 2004. Print.

---. "F. B. Eyes: The Bureau Reads Claude Mckay." John Hope Franklin Series in African American History and Culture (John Hope Franklin Series in African American History and Culture). Eds. Mullen, Bill V. and James Smethurst. Chapel

Hill, NC: U of North Carolina P, 2003. 331 pp. Print.

---. "Global Poetics and State-Sponsored Transnationalism: A Reply to Jahan Ramazani." American Literary History 18.2 (2006): 360-64. Print.

---. "Unfree Love: Claude Mckays's Lyric Interruptus." Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 29.4 [126] (2007): 36-44. Print.

McCabe, Tracy. "The Multifaceted Politics of Primitivism in Harlem Renaissance Writing." Soundings: An Interdisciplinary Journal 80.4 (1997): 475-97. Print.

McKible, Adam. "'Life Is Real and Life Is Earnest': Mike Gold, Claude Mckay, and the Baroness Elsa Von Freytag-Loringhoven." Little Magazines & Modernism: New Approaches. Eds. Churchill, Suzanne and Adam McKible. Aldershot, England: Ashgate, 2007. xvii, 276 pp. Print.

---. "'Life Is Real and Life Is Earnest': Mike Gold, Claude Mckay, and the Baroness Elsa Von Freytag-Loringhoven." American Periodicals: A Journal of History, Criticism, and Bibliography 15.1 (2005): 56-73. Print.

McLeod, Alan L. "Claude Mckay." Dictionary of Literary Biography (Dlb). Eds. Lindfors, Bernth and Reinhard Sander. Detroit, MI: Gale, 1992. xii, 330 pp. Print.

McLeod, A. L. "Claude Mckay as Historical Witness." Subjects Worthy of Fame: Essays on Commonwealth Literature in Honour of H. H. Anniah Gowda. Ed. McLeod, A. L. New Delhi: Sterling, 1989. 132 pp. Print.

---. "Claude Mckay, Alain Locke, and the Harlem Renaissance." Literary Half-Yearly 27.2 (1986): 65-75. Print.

---. "Claude Mckay's Adaptation to Audience." Kunapipi 2.1 (1980): 123-34. Print.

McLeod, Alan L. "Memory and the Edenic Myth: Claude Mckay's Green Hills of Jamaica." Individual and Community in Commonwealth Literature. Ed. Massa, Daniel. Msida: U of Malta P, 1979. 241 pp. Print.

McLeod, Marian B. "Claude Mckay's Russian Interpretation: The Negroes in America." College Language Association Journal 23 (1980): 336-51. Print.

Meyn, Rolf. "Reform Work and Autobiography." Amerikastudien/American Studies 35.3 (1990): 337-53. Print.

Miller, James A. "African-American Writing of the 1930s: A Prologue." Radical Revisions: Rereading 1930s Culture. Eds. Mullen, Bill and Sherry Lee Linkon. Urbana: U of Illinois P, 1996. 291 pp. Print.

Miller, Ruth, and Peter J. Katopes. "The Harlem Renaissance: Arna W. Bontemps, Countee Cullen, James Weldon Johnson, Claude Mckay, and Jean Toomer." Black American Writers: Bibliographical Essays, I: The Beginnings through the Harlem Renaissance and Langston Hughes. Eds. Inge, M. Thomas, Maurice Duke and Jackson R. Bryer. New York: St. Martin's, 1978. 217 pp. Print.

Miller, R. Baxter. "Cafe De La Paix: Mapping the Harlem Renaissance." South Atlantic Review 65.2 (2000): 73-94. Print.

Misiego, Micaela. "Voces Pretas: Antoloxia Breve." Grial: Revista Galega de Cultura 38 (1972): 394-403. Print.

Morresi, Renata. "Modernita Nera, Spazio Urbano E 'Queer Desire' in Home to Harlem Di Claude Mckay." Citta, Avanguardie, Modernita E Modernismo. Eds. Camboni, Marina and Antonella Gargano. Macerata, Italy: eum edizioni universita di macerata, 2008. 302 pp. Print.

---. "Racial Shake, 'Jagged Harmony' and Circum-Atlantic Networks: The Correspondece of Claude Mckay and Nancy Cunard." Modernist Women Race Nation: Networking Women 1890-1950 Circum-Atlantic Connections. Ed. Covi, Giovanna. London, England: Mango, 2005. 214 pp. Print.

Murphy, David. "La Danse Et La Parole: L'exil Et L'identite Chez Les Noirs De Marseille Dans Banjo De Claude Mckay Et Le Docker Noir D'ousmane Sembene." Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee 27.3 (2000): 462-79. Print.

Muther, Elizabeth. "'Great, Unappeasable Ghost': Claude Mckay and the Theatre Guild Incident." Modern Language Studies 30.2 (2000): 133-57. Print.

Muthyala, J. Sumanth. "Migrancy and the Translation of Culture in Claude Mckay's Banana Bottom." In Process: A Journal of African American and African Diasporan Literature and Culture 2 (2000): 69-85. Print.

Nabholz, Ann-Catherine. "Harlem and Primitivism: A Green Reading of Claude Mckay's Celebration of Ethnicity in an Urban Context." Forecaast: Forum for European Contributions to African American Studies (Forecaast: Forum for European Contributions to African American Studies). Ed. Mayer, Sylvia. Munster, Germany: LIT, 2003. 198 pp. Print.

Nelson, Emmanuel S. "Community and Individual Identity in the Novels of Claude Mckay." Claude Mckay: Centennial Studies. Ed. McLeod, A. L. New Delhi: Sterling, 1992. 106-13. Print.

Nicholls, David G. "The Folk as Alternative Modernity: Claude Mackay's Banana Bottom and the Romance of Nature." Journal of Modern Literature 23.1 (1999): 79-94. Print.

Niedlich, Florian. "Travel as Transgression: Claude Mckay's Banana Bottom, J. M. Coetzee's Life and Times of Michael K, and Hanif Kureishi's the Black Album." Cross/Cultures: Readings in the Post/Colonial Literatures in English (Crossc). Eds. Volkmann, Laurenz, et al. Amsterdam, Netherlands: Rodopi, 2010. xvii, 370 pp. Print.

Ojo-Ade, Femi. "Claude Mckay: The Tragic Solitude of an Exiled Son of Africa." Contributions in Afro-American and African Studies (Contributions in Afro-American and African Studies). Ed. Ojo-Ade, Femi. Westport, CT: Greenwood, 1996. xv, 193 pp. Print.

---. "Mckay's Tragic Confusion: An African's Comments on Tyrone Tillery's Claude Mckay." Literary Griot: International Journal of Black Expressive Cultural Studies 6.2 (1994): 54-59. Print.

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