The repetition of identical consonant sounds, most often the sounds beginning words, in close proximity. Example: pensive poets |
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Unacknowledged reference and quotations that authors assume their readers will recognize. |
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unstressed unstressed stressed. |
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Repetition of the same word or phrase at the beginning of a line throughout a work or the section of a work. |
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A narrative poem composed of quatrains (iambic tetrameter alternating with iambic trimeter) rhyming x-a-x-a. Ballads may use refrains. Examples: "Jackaroe," "The Long Black Veil" |
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A type of poem, derived from the theater, in which a speaker addresses an internal listener or the reader. |
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"seize the day." Poetry concerned with the shortness of life and the need to act in or enjoy the present. Example: Herricks "To the Virgins to Make Much of Time" |
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exaggeration for effect |
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An elaborate and extended metaphor or simile that links two apparently related fields or subjects in an unusual and surprising conjunction of ideas. |
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A short but definite pause used for effect within a line of poetry. |
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The first eight lines of an Italian or Petrarchan sonnet, unified by rhythm, rhyme, and topic. |
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A fourteen-line poem written in iambic pentameter, composed of three quatrains and a couplet rhyming abab cdcd efef gg |
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A four-line stanza or poetic unit. |
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A sonnet (14 lines of rhyming iambic pentameter) that divides into an octave (8) and sestet (6) |
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stressed unstressed unstressed |
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two unstressed feet (an "empty" foot) |
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stressed unstressed |
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unstressed stressed |
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unrhymed iambic pentameter. |
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Words that seem to rhyme because they are spelled identically but pronounced differently. Example: bear/fear, dough/cough/through/bough |
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