PreCommentary:
From the 1864 Jules Verne novel, with filming done in Carlsbad Caverns
National Park, New Mexico. This tale was first filmed as a French
one-reeler in 1909. The 1977/1978 version, called Where Time
Began, is worth mention, but the 1988/89 version of Journey
to the Center of the Earth focuses on the lost city of Atlantis
instead of any dinosaurs. A Saturday morning cartoon series on ABC aired
from 1967-1969.
Notes:
Twentieth-Century
Fox. 129 min.
Professor Oliver Lindenbrook: James Mason
Alec McEwen: Pat Boone
Carla Goetheberg: Arlene Dahl
Count Saknussemm: Thayer David
Jenny: Diane Baker
Hans: Peter Ronson
Dean: Alan Napier (Alfred, Batmanšs butler)
Groom: Robert Adler
Professor Bayle: Alex Finlayson
Paisley: Ben Wright
Kirsty: Mary Brady
Chancellor: Frederick Halliday
Rector: Alan Caillou
Producer: Charles Brackett
Director: Henry Levin
Screenplay: Walter Reisch and Charles Brackett
Music: Bernard Herrmann
Songs: Sammy Cahn and James Van Heusen
Special Camera Effects: L.B. Abbott, James B. Gordon, Emil Kosa, Jr.
Summary:
Edinburgh 1880, rife with bagpiping, honors Professor Oliver Lindenbrook
and there are rumors of knighthood. At the Universityof Edinburgh, a male
glee choir sings his praises. His students give him an inkwell and are
dismissed off to the playing fields. A star pupil and M.A. student, Alec,
stays behind and gives him another gift: an unusually heavy chunk of lava
he negotiated for on Good Friday, to be used as a paperweight perhaps.
Alec is invited to dinner at 8:00 and shows up in borrowed clothes,
wooing Miss Jenny, the Professor's niece. While Alec sings "My Love
Is Like a Red Red Rose" (from the poem by Robert Burns) to Jenny,
Lindenbrook is experimenting and missing dinner. They find him in his
lab, babbling about the lava coming from Italy but essentially being
Icelandic. An accidental explosion reveals a plumb bob with Nordic
writing by explorer Arne Saknussemm, who theorized about Atlantis early
in his career, then became interested in volcanoes, and ultimately
disappeared. This dying message suggests that Sneffels in Iceland
provides a passage into the earth when Scartaris casts its shadow on the
last day of May. The University officials say Lindenbrook should consult
other scholars and write a paper. He writes to a fellow scientist,
Goetheberg in Stockholm, but receives no answer and suspects
claimjumping. Lindenbrook bemoans the fact that we know less about earth
than about the stars and galaxies. Alec, on the verge of declaring his
feelings for Jenny, instead volunteers to journey with the Professor.
Jenny faints.
Lindenbrook and Alec go to Iceland. At the peak of Sneffels, Alec admits
to a fear of heights. Lindenbrook realizes Goetheberg has been there, but
doesn't realize that he's posing as the coachman, and Lindenbrook is
kidnapped. Shoved down a chute, he finds Alec, who similarly has been
imprisoned in an eiderfeather storehouse. Alec has not been able to buy
supplies. A duck pecks at the other side of the wall, and the two try to
contact what sounds to them
like "a female prisoner and her lover"-- actually Hans and his
love-duck Gertrude.
They all break into the room of Goetheberg and find all manner of
equipment: self-generating lamps and breathing devices. Alec discovers
his corpse, and Lindenbrook declares it justice, soon discovering that
the thief/scientist was killed potassium cyanide poisoning. Goethebergs's
widow, Carla, arrives and is told by the innkeeper of her husband's
death. Lindenbrook learns that a descendant of Saknussemm ate with
Goetheberg on the day of his death. When the widow reads her late
husband's journal she finds that Saknussemm was pressuring Goetheberg and
that Lindenbrook had the rights to the discovery, so she agrees to back
up Lindenbrook's expedition. Lindenbrook pitches a fit on finding that
she intends to go too and he calls it "stupidity" to burden himself with
a "female." She owns all the supplies they need, so she'll go, but she'll
get no special consideration.
On the peak of Sneffels, a beam of light through a chink of Scartaris
hits an opening, but a hidden Saknussemm also sees it. Rockclimbing,
downward, begins. Lindenbrook, Alec, the widow Goetheberg, Hans, and the
duck Gertrude "Now ... descend into oblivion or ... enter the great book
of history." Alec has brought his accordion. They do not realize that
Saknussemm, the murderer, is also journeying centerward. Back on the
surface, the University Dean has translated a report for Jenny. A woman
has gone with them!
The adventurers duck the falling rocks from a tremor and flee from an
Indiana-Jones-esque runaway boulder. They discover three notches from the
ancient Saknussemm that point the way. Carla hears human footsteps at
night but is dismissed by a cranky Lindenbrook. Saknussemm sneaks by and
chisels bogus marks to derail the expedition. The next morning the duck
knows better but the rest fall for it. Alec falls down a hole and is
hoisted up, and Carla discovers the hoax. Hans thinks they should proceed
this new way, though. Down the hole the cavern is bejewelled.
Alec takes a bath while Lindenbrook advises Carla against wearing stays
because of the coming heat and breathing difficulties. Alec drops
something in a hole and follows it, getting lost. Lindenbrook yanks a gem
out of a wall and starts a flood. As the water rises, they climb through
a hole in the cavern ceiling. Now they are separated from Alec, who
meanwhile takes off some clothes and falls through salt sinkholes. All
grow exhausted and hot.
Alec runs into Saknussemm who seems to have burdened his servant to death
and wants Alec to take his place. Alec refuses, so Saknussemm shoots him
in the arm. The others hear the echo and find Alec. Count Saknussemm
emerges, pulls a gun on them, and calls them trespassers. With a quick
fling of salt to the Count's eyes, Lindenbrook is able to snatch the gun
and hold a quick trial in which all declare Saknussemm guilty of murder
and mayhem. But no one wants to shoot him and Alec declares them all too
civilized to inflict the death penalty. Saknussemm explains that their
lamps are going out because of the corrosive salt, so they reluctantly
let him join them, even though he tends to wander off from the group. It
grows cool but dark. Fortunately, soon no lamps are required thanks to
luminescent algae. After a windy day #256, Lindenbrook and Carla argue,
pointlessly. Alec discovers a cave of the giant mushrooms: cause for a
jig. But the camera reveals a giant iguana licking its lizardine lips at
the sight of humans.
After Alec hits on Carla unsuccessfully, Lindenbrook joins Saknussemm who
looks out upon an underworld ocean. Saknussemm doesn't sleep, he says,
because "I hate those little slices of death." They jabber
about naming geographical sites. As they turn, they see a giant iguana
(with glued-on fins) looking at them. Lindenbrook: "A
dimetrodon!" Saknussemm: "If I had my gun we'd
have fresh meat for dinner." L: "That's what he's saying. He's
a flesh-eater." S: "Can he swim?" L: "No, thank
God." They wade out into the water as the dinosaur roars. Other
lizards emerge from caves as the two men return to the cave to get the
raft Hans has built. The dinosaurs threaten their escape and seem to be
after Carla. Alec throws a spear into the leg of one, which accomplishes
nothing. Ah, but a spear in the mouth! Down he goes. Other
"dinosaurs" then eat him.
Back home Jenny pines; it snows. The subterranean humans raft onto the
ocean and hit a "junction of magnetic forces" which causes a whirlpool,
apparently the so-called "center of the earth"--go figure. The
experience is harrowing and violent. At home, Jenny has a nightmare. The
explorers land on another beach exhausted and hungry again. As the others
sleep, Gertrude wanders off with Saknussemm following. When Hans awakens,
he finds feathers and begins to choke Saknussemm. The others irrationally
pull him off. But an arrogant Saknussemm starts a rockslide and falls to
his death.
We get over the pointlessly cruel loss of the duck immediately. The lost
city of Atlantis is revealed after 5000 years, but it yields no food --
only oyster shells and stale crumbling bread. The skeleton of ancient
explorer Arne Saknussemm, who seems to have dragged himself here with a
broken leg, is found pointing his bony finger towards an air shaft -- a
"volcanic chimney" to serve as an escape route. But a boulder blocks the
escape. They decide to blow it up and hope they don't destroy the
passage. They light the fuse and take cover in a gigantic bowl-shaped
altar stone. The fuse goes out and Lindenbrook must relight it. At the
climactic moment of potential salvation, a giant red salamander wraps its
tongue around Lindenbrook's leg and Alec drives a stake into its tongue
to encourage release. The explosion goes off and the salamander looms one
last time before being overtaken with lava. The adventurers ascend the
shaft and Atlantis crumbles in an avalanche/earthquake/volcano/orgasm.
News reports note the eruption of the Stromboli volcano and that
"rocks of extraordinary size are being spewed into the sea."
Lindenbrook, Carla, and Hans are pulled aboard a boat. Alec lands naked
in a tree and uses a sheep to cover his genitals in front of nuns.
At another celebration, Lindenbrook is modest. They all "returned by the
grace of God and a heathen altar stone." He can't prove he was to the
center of the earth, but "This I know: the spirit of man cannot be
stopped." Alec is laid up and fans coo, but it turns out he just
fell down at his wedding to Jenny. Coy crap between Carla and Lindenbrook
regarding his need for her to jog his memory and to take dictation for
the memoirs of the journey -- all suggests another marriage.
Commentary:
The film has been called "Good, clean, gaudy fun without a brain or a
message in its pretty little head" (Films in Review).
The transferral of the Verne story to Edinburgh and the changes to less
Germanic names of the characters are, one supposes, logical enough, given
the cast. Nevertheless, the film is frequently annoying, primarily
because of the smarmy gender politics and because Alec is such an
embarrassment, not unlike in the Verne novel, admittedly.
Regarding herpegeschriftestudien: what better modern counterpart to the
medieval saint spearing dragons in the mouth than megabland
born-too-many-times-Christian Pat Boone darkening up our lives by
spearing an iguana in the mouth and driving a stake into the tongue of a
salamander?!
That "dinosaurs" turn on their own -- by eating the wounded
one, transgressing the cannibalism taboo -- presumably justifies our
ranking them as offensive in light of our self-appointed superiority.
Saknussemm commits a sin by eating Gertrude, but only because she is a
pet; one hears no objections to the meat or fowl industries elsewhere
here.
Then there's this exchange: Lindenbrook: "A dimetrodon!"
Saknussemm: "If I had my gun we'd have fresh meat for dinner."
Lindenbrook: "That's what he's saying. He's a flesh-eater."
Now is this a logical reaction to seeing suddenly a large reptile? It's
not as though hunger is warping their thoughts--after all, we just
emerged from the cave of the giant mushrooms. Yet instead of
"Aaaaaaaa!!!" or maybe running like hell, these two exchange
culinary considerations. So here is another, and an excellent, example of
not just the "kill or be killed" paranoia so rampant in
dinosaur films, but of the perverse "eat or be eaten" ideology.
[See the Dino Abstract and the Dragon Abstract.]