Walt
Whitman

America’s

Poet

Birth and Early Career

Born 31 May 1819 near Huntington, Long Island, New York

Second child (of 8) born to Walter and Louisa Van Velsor Whitman.

Works as printer’s apprentice (to 1835) and as a schoolteacher.

The Journalist, 1844

Worked for several different newspapers

Wrote short fiction from 1841-1848

Themes and techniques borrowed from Poe and Hawthorne

The Brooklyn Eagle

1846-1848. Becomes chief editor of the Brooklyn Eagle, a post he holds from from March 5, 1846 to January 18, 1848.

In May 1848, Whitman is fired because his politics conflict with those of the publisher. A “free soil” or “locofoco”Democrat, Whitman opposes the expansion of slavery into new territories.

“Pulp Fiction”

Franklin Evans, 1842

Temperance novel

Sold 20,000 copies,

more than any other

work Whitman published

in his lifetime

New Orleans

Lives in New Orleans for 4 months as editor of the Daily Crescent.

Sees slavery and slave-markets at first hand

Experiences with nature (“live oaks, with moss”) and with French language later appear in his poetry.

Influences: Literature and Music

Italian opera: “Were it not for the opera, I could never have written Leaves of Grass.”

Shakespeare, especially Richard III. Whitman saw Junius Brutus Booth (father of John Wilkes Booth) perform.

The Bible

Thomas Carlyle’s Sartor Resartus

Emerson

Emerson helped Whitman to “find himself”: “I was simmering, simmering; Emerson brought me to a boil.”

Literary Acquaintances

Edgar Allan Poe

William Cullen Bryant

Amos Bronson Alcott

Henry David Thoreau

Friends at Pfaff’s Restaurant (“Bohemians”)(1859-1862)

Elihu Vedder, E.C. Stedman, Ada Clare, Henry Clapp

Whitman and Phrenology

July 16, 1849: A phrenological examination confirms Whitman’s sense of his own character, revealing bumps of “Sympathy, Sublimity, and Self-Esteem” along with the “dangerous fault of Indolence”

Whitman in 1854

His friend Dr. Maurice Bucke called this “the Christ likeness” in which the poet as seer begins to emerge.

In Leaves of Grass, Whitman would write, “I am the man, I suffer’d, I was there.”

Leaves of Grass, 1855

Twelve poems, including

“Song of Myself”

“I Sing the Body Electric”

“The Sleepers”

Only 795 copies printed

Family tradition says that Whitman set some of the type for this edition.

Leaves of Grass, 1855

Walt Whitman, an American, one of the roughs, a kosmos,

Disorderly fleshy and sensual . . . . eating drinking and breeding,

No sentimentalist . . . . no stander above men and women or apart from them . . . . no more modest than immodest.

Whoever degrades another degrades me . . . . and whatever is done or said returns at last to me,

And whatever I do or say I also return.

Whitman’s Themes

Transcendent power of love, brotherhood, and comradeship

Imaginative projection into others’ lives

Optimistic faith in democracy and equality

Belief in regenerative and illustrative powers of nature and its value as a teacher

Equivalence of body and soul and the unabashed exaltation of the body and sexuality

Whitman’s Poetic Techniques

Free verse: lack of metrical regularity and conventional rhyme

Use of repeated images, symbols, phrases, and grammatical units

Use of enumerations and catalogs

Use of anaphora (initial repetition) in lines and “Epanaphora” (each line hangs by a loop from the line before it)

The Whitman “envelope”

Contrast and parallelism in paired lines

From “Song of Myself”

Where the heifers browse, and the geese nip their food with short jerks;

Where the sundown shadows lengthen over the limitless and lonesome prairie,

Where the herds of buffalo make a crawling spread of the square miles far and near;

Where the hummingbird shimmers . . . . where the neck of the longlived swan is curving and winding

Where the laughing-gull scoots by the slappy shore and laughs her near-human laugh . . .

Whitman’s Use of Language

Idiosyncratic spelling and punctuation.

Words used for their sounds as much as their sense; foreign languages

Use of language from several disciplines

The sciences: anatomy, astronomy, botany (especially the flora and fauna of America)

Businesses and professions, such as carpentry

Military and war terms; nautical terms

Reviews: Praise

Ralph Waldo Emerson, letter to Whitman, 21 July 1855:

“I find [Leaves of Grass] the most extraordinary piece of wit & wisdom that America has yet contributed. . . . I greet you at the beginning of a great career, which yet must have had a long foreground somewhere, for such a start.”

Reviews: Praise

I am not unaware that the charge of coarseness and sensuality has been affixed to them. My moral constitution may be hopelessly tainted or - too sound to be tainted, as the critic wills, but I confess that I extract no poison from these Leaves - to me they have brought only healing. --Fanny Fern, critic and popular essayist

Reviews and Protests

“Foul work" filled with"libidinousness" (The Christian Examiner)

There are too many persons, who imagine they demonstrate their superiority to their fellows, by disregarding all the politenesses and decencies of life, and, therefore,justify themselves in indulging the vilest imaginings and shamefullest license. (Rufus Griswold, The Criterion)

Early Editions of Leaves of Grass

1855 Self-published the first edition

1856 Added new poems and revised old ones.

1860 Began grouping poems thematically; includes “A Child’s Reminiscence,” which will become “Out of the Cradle, Endlessly Rocking”

1867 Incorporates Drum-Taps (1865), including “When Lilacs Last in the Dooryard Bloom’d” and “O Captain, My Captain”

Leaves of Grass, 1856

Whitman has Emerson’s praise printed on the spine in gold letters: “I greet you at the beginning of a great career.”

“I do not believe that all the sermons, so-called, that have been preached in this land put together are equal to it for preaching." Henry David Thoreau

Leaves of Grass, 1860

146 new poems added to the 32 poems of the second edition, including “I hear America singing”

Enfans d’Adam section, 15 poems on “amativeness” or love for women, and Calamus, 32 poems on “adhesiveness” or love between men

Civil War

After his brother is wounded at Fredericksburg (1862), Whitman goes to Washington to care for him and stays for nearly 3 years, visiting the wounded, writing letters, and keeping up their spirits.

One Wounded Soldier’s View

“Every Sunday there were half a dozen old roosters who would come into my ward and preach and pray and sing to us, while we were swearing to ourselves all the time, and wishing the blamed old fools would go away. Walt Whitman’s funny stories, and his pipes and tobaccos, were worth more than all the preachers and tracts in Christendom.”

Whitman and Lincoln

Whitman saw Lincoln often, but the two never met face to face.

“When lilacs last in the dooryard bloom’d”

“O Captain, My Captain”

Walt Whitman, Civil Servant

1862, Clerk at the Paymaster’s Office

1865. 1 January. Becomes a clerk at the Bureau of Indian Affairs, a post he enjoys.

Fired in May because Secretary of the Interior James Harlan sees Leaves of Grass in Whitman’s desk drawer and denounces it as immoral.

The Good Gray Poet

May 1865. Whitman’s friend William Douglas O’Connor secures him a job at the Attorney General’s office, a post he holds until he leaves after he suffers a stroke in 1873.

O’Connor publishes The Good Gray Poet: A Vindication (1866), the beginning of a shift in Whitman’s public persona and popularity.

Later Editions of Leaves of Grass

1872 Includes 120-page “annex,” A Passage to India

1881-1882 The firm of James R. Osgood discontinues publishing Leaves of Grass after it is banned in Boston; Whitman takes the copies and binds and sells them himself.

1888-1889 Leaves of Grass (Birthday Edition) is the first pocket-sized version.

1891-92 “Deathbed Edition”

Leaves of Grass, 1872

Includes Drum-Taps and Sequel to Drum-Taps

Includes an “annex,” A Passage to India

Specimen Days and Collect, 1882

Autobiographical work with focus on the Civil War and Whitman’s trip west to Kansas and Colorado

Counterpart to the 1881-1882 edition of Leaves of Grass

Begun much earlier as Memoranda During the War and partly inspired by Louisa May Alcott’s Hospital Sketches

328 Mickle Street, Camden

In 1884, Whitman purchases a house at 328 Mickle Street, Camden, New Jersey, for $1750.

It is the first house he has ever owned.

Leaves of Grass, 1889 and 1891

1891 edition includes Good-Bye, My Fancy

These editions mix autobiographical prose reminiscences with poetry.

The Poet at Home

Whitman would allow no one to pick up his papers, saying that whatever he wanted surfaced sooner or later.

Whitman died on 26 March 1892 at about 6:30 p.m. and is buried in the tomb that he had designed.

Credits

Sources are given in the notes section of the slides except as noted in the notes below.

Pictures are courtesy of the Walt Whitman Hypertext Archive at the University of Virginia: http://jefferson.village.virginia.edu/whitman/


	Born 31 May 1819 near Huntington, Long Island, New York
	Second child (of 8) born to Walter and Louisa Van Velsor Whitman.
	Works as printer’s apprentice (to 1835) and as a schoolteacher.


	Worked for several different newspapers
	Wrote short fiction from 1841-1848
	Themes and techniques borrowed from Poe and Hawthorne


	1846-1848. Becomes chief editor of the Brooklyn Eagle, a post he holds from from March 5, 1846 to January 18, 1848.
	In May 1848, Whitman is fired because his politics conflict with those of the publisher. A “free soil” or “locofoco”Democrat, Whitman opposes the expansion of slavery into new territories.


	Franklin Evans, 1842
	Temperance novel
	Sold 20,000 copies,
	more than any other
	work Whitman published
	in his lifetime


	Lives in New Orleans for 4 months as editor of the Daily Crescent.
	Sees slavery and slave-markets at first hand
	Experiences with nature (“live oaks, with moss”) and with French language later appear in his poetry.


	Italian opera: “Were it not for the opera, I could never have written Leaves of Grass.”
	Shakespeare, especially Richard III. Whitman saw Junius Brutus Booth (father of John Wilkes Booth) perform.
	The Bible
	Thomas Carlyle’s Sartor Resartus


	Emerson helped Whitman to “find himself”: “I was simmering, simmering; Emerson brought me to a boil.”


	Edgar Allan Poe
	William Cullen Bryant
	Amos Bronson Alcott
	Henry David Thoreau
	Friends at Pfaff’s Restaurant (“Bohemians”)(1859-1862)
		Elihu Vedder, E.C. Stedman, Ada Clare, Henry Clapp


	July 16, 1849: A phrenological examination confirms Whitman’s sense of his own character, revealing bumps of “Sympathy, Sublimity, and Self-Esteem” along with the “dangerous fault of Indolence”


	His friend Dr. Maurice Bucke called this “the Christ likeness” in which the poet as seer begins to emerge.
	In Leaves of Grass, Whitman would write, “I am the man, I suffer’d, I was there.”


	Twelve poems, including
	“Song of Myself”
	“I Sing the Body Electric”
	“The Sleepers”
	Only 795 copies printed
	Family tradition says that Whitman set some of the type for this edition.


	Walt Whitman, an American, one of the roughs, a kosmos,
	Disorderly fleshy and sensual . . . . eating drinking and breeding,
	No sentimentalist . . . . no stander above men and women or apart from them . . . . no more modest than immodest.
	Whoever degrades another degrades me . . . . and whatever is done or said returns at last to me,
	And whatever I do or say I also return.


	Transcendent power of love, brotherhood, and comradeship
	Imaginative projection into others’ lives
	Optimistic faith in democracy and equality
	Belief in regenerative and illustrative powers of nature and its value as a teacher
	Equivalence of body and soul and the unabashed exaltation of the body and sexuality


	Free verse: lack of metrical regularity and conventional rhyme
	Use of repeated images, symbols, phrases, and grammatical units
	Use of enumerations and catalogs
	Use of anaphora (initial repetition) in lines and “Epanaphora” (each line hangs by a loop from the line before it)
	The Whitman “envelope”
	Contrast and parallelism in paired lines



	Where the heifers browse, and the geese nip their food with short jerks;
	Where the sundown shadows lengthen over the limitless and lonesome prairie,
	Where the herds of buffalo make a crawling spread of the square miles far and near;
	Where the hummingbird shimmers . . . . where the neck of the longlived swan is curving and winding
	Where the laughing-gull scoots by the slappy shore and laughs her near-human laugh . . .


	Idiosyncratic spelling and punctuation.
	Words used for their sounds as much as their sense; foreign languages
	Use of language from several disciplines
	The sciences: anatomy, astronomy, botany (especially the flora and fauna of America)
	Businesses and professions, such as carpentry
	Military and war terms; nautical terms


	Ralph Waldo Emerson, letter to Whitman, 21 July 1855:
	“I find [Leaves of Grass] the most extraordinary piece of wit & wisdom that America has yet contributed. . . . I greet you at the beginning of a great career, which yet must have had a long foreground somewhere, for such a start.”


	I am not unaware that the charge of coarseness and sensuality has been affixed to them. My moral constitution may be hopelessly tainted or - too sound to be tainted, as the critic wills, but I confess that I extract no poison from these Leaves - to me they have brought only healing. --Fanny Fern, critic and popular essayist


	“Foul work" filled with"libidinousness" (The Christian Examiner)
	There are too many persons, who imagine they demonstrate their superiority to their fellows, by disregarding all the politenesses and decencies of life, and, therefore,justify themselves in indulging the vilest imaginings and shamefullest license. (Rufus Griswold, The Criterion)


	1855 Self-published the first edition
	1856 Added new poems and revised old ones.
	1860 Began grouping poems thematically; includes “A Child’s Reminiscence,” which will become “Out of the Cradle, Endlessly Rocking”
	1867 Incorporates Drum-Taps (1865), including “When Lilacs Last in the Dooryard Bloom’d” and “O Captain, My Captain”


	Whitman has Emerson’s praise printed on the spine in gold letters: “I greet you at the beginning of a great career.”
	“I do not believe that all the sermons, so-called, that have been preached in this land put together are equal to it for preaching." Henry David Thoreau


	146 new poems added to the 32 poems of the second edition, including “I hear America singing”
	Enfans d’Adam section, 15 poems on “amativeness” or love for women, and Calamus, 32 poems on “adhesiveness” or love between men


	After his brother is wounded at Fredericksburg (1862), Whitman goes to Washington to care for him and stays for nearly 3 years, visiting the wounded, writing letters, and keeping up their spirits.


	“Every Sunday there were half a dozen old roosters who would come into my ward and preach and pray and sing to us, while we were swearing to ourselves all the time, and wishing the blamed old fools would go away. Walt Whitman’s funny stories, and his pipes and tobaccos, were worth more than all the preachers and tracts in Christendom.”


	Whitman saw Lincoln often, but the two never met face to face.
	“When lilacs last in the dooryard bloom’d”
	“O Captain, My Captain”


	1862, Clerk at the Paymaster’s Office
	1865. 1 January. Becomes a clerk at the Bureau of Indian Affairs, a post he enjoys.
	Fired in May because Secretary of the Interior James Harlan sees Leaves of Grass in Whitman’s desk drawer and denounces it as immoral.


	May 1865. Whitman’s friend William Douglas O’Connor secures him a job at the Attorney General’s office, a post he holds until he leaves after he suffers a stroke in 1873.
	O’Connor publishes The Good Gray Poet: A Vindication (1866), the beginning of a shift in Whitman’s public persona and popularity.


	1872 Includes 120-page “annex,” A Passage to India
	1881-1882 The firm of James R. Osgood discontinues publishing Leaves of Grass after it is banned in Boston; Whitman takes the copies and binds and sells them himself.
	1888-1889 Leaves of Grass (Birthday Edition) is the first pocket-sized version.
	1891-92 “Deathbed Edition”


	Includes Drum-Taps and Sequel to Drum-Taps
	Includes an “annex,” A Passage to India


	Autobiographical work with focus on the Civil War and Whitman’s trip west to Kansas and Colorado
	Counterpart to the 1881-1882 edition of Leaves of Grass
	Begun much earlier as Memoranda During the War and partly inspired by Louisa May Alcott’s Hospital Sketches